Future Treasures: Collecting Myself: The Uncollected Stories of Barry N. Malzberg, edited by Robert Friedman and Gregory Shepard

Future Treasures: Collecting Myself: The Uncollected Stories of Barry N. Malzberg, edited by Robert Friedman and Gregory Shepard

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Collecting Myself: The Uncollected Stories of Barry N. Malzberg
(Stark House, March 8, 2024). Cover by Jeff Jordan

Barry N. Malzberg has had an enormously prolific career. He published his first science fiction story the August 1967 issue of Galaxy magazine, and over the next six decades has produced an astounding 500+ short stories, dozens of novels, eleven anthologies, and nearly two dozen collections. These days he’s well known as a genre historian and critic. That’s him on the back cover above, looking suitably curmudgeonly.

He’s currently enjoying something of a career renaissance, courtesy of editor Robert Friedman and publisher Gregory Shepard at Stark House Press, who together have returned some thirty-five Malzberg books to print. To mark that accomplishment, their latest Malzberg volume is something special. Not a reprint at all, but a brand new volume gathering thirty-five uncollected short stories. Collecting Myself: The Uncollected Stories of Barry N. Malzberg will be available on March 8.

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Great Books Make You Cry

Great Books Make You Cry

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John Crowley’s Flint and Mirror (Tor, April 2022), Engine Summer (Bantam, December 1983), and The
Translator (William Morrow/HarperCollins, April 2002). Covers: unknown, Yvonne Gilbert, Chin-Yee Lai

Recently I mentioned that passages in John Crowley’s Flint and Mirror made me cry… and it was (nicely) hinted that maybe it’s odd for men to cry while reading.

The thing is, I cry often while reading. Sometimes for sad events, sometimes for joy, sometimes for anger, sometimes for wonder, sometimes for sheer beauty.

I mean, Crowley does it to me all the time. The conclusion of Engine Summer makes me tear up just thinking about it. (“Ever after. I promise. Now close your eyes.”) And the same for a few passages in The Translator. I was tearing up just trying to talk about “Great Work of Time” at a panel at Boskone a few years ago.

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Hither Came Scott Oden: The Shadow of Vengeance, a Sequel Robert E. Howard SHOULD have Written

Hither Came Scott Oden: The Shadow of Vengeance, a Sequel Robert E. Howard SHOULD have Written

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Conan: The Shadow of Vengeance (Titan Books, January 30, 2024)

Octavia tore her gaze from the grisly noose. Hope fluttered in her breast, for through the guttering smoke from scores of torches she saw the Cimmerian astride his mighty stallion. He stood motionless, a statue hewn from whalebone and gristle — save for his eyes. Even with the breadth of the Red Brotherhood between them, Octavia recognized the death fires kindled in those cold blue orbs.

There is a magic to some writer’s prose; it pulses and pounds, like Robert E. Howard writing about Conan, or has a clever, articulate subliminity in which a bright man finds himself feeling the fool in a genius’s shadow (Doyle’s Watson writing about Holmes), that infuses a character and their canon.

This is part of what makes pastiche such a tricky business to evaluate and review. Some hate the idea of pastiche, in which case, any review is pointless. On the other hand, pastiche — the continuation of an author’s characters in new adventures is a long-established tradition that reaches back to the tales of the pre-Classical world and continues on the reams of unlicensed fan-fic. So, let’s leave that debate for elsewhere, and just assume that you are this far because you love Robert E. Howard, you love Conan, and you want that pulse-pounding, blood-and-thunder sense of adventure you experienced long ago.

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A Q&A With Holmes on the Range’s Steve Hockensmith

A Q&A With Holmes on the Range’s Steve Hockensmith

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So, I’ve long been a fan of your  Holmes on the Range series. Two weeks ago over at BlackGate.com, I did a deep dive into it for my weekly Monday morning column. Last week, it was a spoiler-free, comprehensive chronology of the series. Along with a publication timeline. I think it’s the only all-inclusive, current one out there. Thanks for your input.

And you’ve agreed to a Q&A to wrap up our coverage of the series. Thanks again!

QUESTION – You wanted to sell more stories to Ellery Queen Mystery Magazine, and you saw the annual Sherlock Holmes issue as a way to do that. But you didn’t want to ‘just’ write more standard Holmes. How did you hit on the idea of Gustav and Otto?

Before I start blathering on about myself, I want to pause to thank you for all the attention and positivity you’ve been lavishing on the Holmes on the Range books. It is much, much appreciated!

Now — on to me!

I love Sherlock Holmes, but when I was thinking about writing something Sherlockian for Ellery Queen I just couldn’t get comfortable with the idea of a Holmes pastiche. So many other writers do them so well. Did the world really need me to give it a try? Especially when what I think are my strong suits — my voice and humor — feel so very American. So I tried to think of American characters who’d be inspired by Dr. Watson’s stories about Holmes. And when you’re thinking about fun, interesting, late 19th century Americans, naturally cowboys come to mind sooner or later.

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Make Room For Harry Harrison: Anthony Aycock on a Forgotten SF Master

Make Room For Harry Harrison: Anthony Aycock on a Forgotten SF Master

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Make Room! Make Room! (Berkley Medallion, July 1967). Cover by Richard Powers

Harry Harrison was a true believer. Like Isaac Asimov, Terry Carr, Donald Wollheim, Gardner Dozois, Lin Carter, Damon Knight and a handful of others, he dedicated his life to science fiction, and in a multitude of roles, as writer, editor, critic, and scholar.

His fiction, however, has been largely — and unjustly — forgotten, and in the dozen years since his death in August 2012, all his books have gradually gone out of print, including once-popular novels like Make Room! Make Room! (filmed as Soylent Green in 1973) and The Stainless Steel Rat, one of the top-selling SF novels of the 60s, which spawned a hugely popular series that ran for twelve volumes.

So I was delighted to see Reactor (still known by fans under its secret identity, Tor.com) shine a long-overdue spotlight on our boy Harrison late last year. In “Make Room! Make Room! For Harry Harrison!” Anthony Aycock provides a brief overview of Harrison’s career, and introduces modern readers to his best work.

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Vintage Treasures: The Night Watch by Sean Stewart

Vintage Treasures: The Night Watch by Sean Stewart

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The Night Watch (Ace, September 1998). Cover by Tara McGovern-Benson

Sean Stewart has had a fascinating career. He was Creative Director at Microsoft’s Xbox Studios until the studio closed in 2014, then spent five years at Magic Leap. Today he’s a Managing Partner at Cathy’s Book, LLC, publisher of his alternative reality game/novel series Cathy’s Book, and since 2020 he’s been working at a Generative AI stealth start-up as an Interactive Storyteller.

But he began his career the old fashioned way — writing fantasy novels. His debut book Passion Play (1992) won the Prix Aurora Award for Best Canadian Science Fiction novel, and his follow-up Nobody’s Son won the Aurora Award in 1994. His real success came in in 1995 with the appearance of the magic realist fantasy Resurrection Man, The New York Times Best Science Fiction Book of the Year, and the two books set in the same world, The Night Watch (1997) and Galveston (2000), winner of the World Fantasy Award.

The Night Watch is the one I want to talk about today.

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A to Z Reviews: “Hamlet’s Ghost Sighted in Frontenac, KS,” by Vincent Czyz

A to Z Reviews: “Hamlet’s Ghost Sighted in Frontenac, KS,” by Vincent Czyz

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A to Z Reviews

Published in the Festschrift volume Stories for Chip: A Tribute to Samuel R. Delany, Vincent Czyz’s “Hamlet’s Ghost Sighted in Frontenac, KS” has a promising title, which the story doesn’t quite live up to, although it is accurate.

Calling it a story may not be correct. It is more the relating of a slice of life, an evening in Frontenac, Kansas, when Jim Lee, UFO enthusiast and former Marine, spends a night with friends, likely the same as the night before, the night after, and every other night.

The evening begins with him shooting the breeze and sniffing cocaine with Logan, apart Native American whose head was injured in a horseback riding accident. They eventually head over to the local dive bar to hang, shoot the breeze, and sniff more cocaine with addition friends. Their conversation turning to their own histories, giving them the air of men who know that their best days are behind them and anything they do in the future won’t matter. There is a sense of futility to the story.

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A Sword Has Two (New) Edges: A Review of New Edge Sword & Sorcery Magazine, Issue #2

A Sword Has Two (New) Edges: A Review of New Edge Sword & Sorcery Magazine, Issue #2

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New Edge Sword & Sorcery issue #2,
Winter 2023 (December 8, 2023). Cover by Gilead Artist

The second issue of New Edge Sword and Sorcery has been getting far less attention than its debut, likely because it lacks a story by legendary writer Michael Moorcock, but that’s a shame, as it actually exceeds its predecessor in every demonstrable way. This is editor Oliver Brackenbury’s third time at bat (including the Zero Issue) and he’s clearly getting a feel for how he wants his journal to work. I don’t always agree on the editorial choices of what is included under the NESS banner, but so what? I’m not the editor, and what matters here is that Brackenbury is experimenting and producing.

Let’s get to the goodies.

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Ellsworth’s Cinema of Swords: They Seek Him Here…

Ellsworth’s Cinema of Swords: They Seek Him Here…

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The Scarlet Pimpernel (UK, 1999)

With his double identity, outlaw status, and penchant for disguise, the Scarlet Pimpernel may have been the clear template for Zorro, but in the novels, he was more secret agent than swordsman, and most screen adaptations have been light on the action side. The BBC’s 1999-2000 series of TV movies, in direct competition with ITV’s swashbuckling Hornblower shows, sought to rectify that imbalance.

Richard Carpenter’s new version of the dapper outlaw of the French Revolution was given a hidden array of gadgets reminiscent of ‘60s spy heroes, and in most episodes found occasion to put a sword in his hand. And since Carpenter made the Pimpernel a good swordsman but not great, and constantly menaced him with guns and explosives, it added a level of urgent threat to the stories not previously seen. If Richard E. Grant as Sir Percy and the Pimpernel was less light-hearted than the Leslie Howard and Anthony Andrews incarnations, he had good reason.

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Maybe We Should Give Up on GoodReads

Maybe We Should Give Up on GoodReads

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Hello, Readers!

As I blaze through my reading goal for this year (two books ahead, baby!), I’ve been thinking about the app/site I now use in order to keep track of my reading, and the functionality of how I’m able to interact with other readers. You see, though I still have an account, and I check in very occasionally, I all but abandoned GoodReads shortly after it was purchased by Amazon.

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