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Dark Muse News: The Legend of Top-Shelf Books Open Mic

Dark Muse News: The Legend of Top-Shelf Books Open Mic

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Ever hear of the legend of Top Shelf Books? Gene Wolfe did!

I first heard about the legendary Top Shelf Books from four people who had frequented that mythical venue. However, they were not together when they mentioned the place, and the interval between tellings was years and across many locations. What I eventually learned was that it was a used book shop that hosted open-mic readings for writers. The “open-mic” writer’s group ran from ~2007-2013, in Top Shelf Books in Palatine, Illinois. It was uncanny that Top Shelf kept creeping into conversations, so I had to find out the history and then share it! Here are those who introduced me to the legend.

2015: Author Joe Bonadonna was the first. Back in 2015, he had reviewed my first novel and, by serendipity, we both joined forces as Perseid Press contributors for Heroika and Heroes in Hell, sharing six volumes; we even jointly wrote a story for Monsters in Hell. I adore Joe’s Dorgo the Dowser (Mad Shadows) books and interviewed him in 2022. Several times over the last decade, he mentioned Top Shelf.

2016: Chief editor of Black Gate, John O’Neill, was another Top Shelfer. I met John in person at the 2016 World Fantasy Convention, the same year and event in which Black Gate won the World Fantasy Special Award.  I began contributing to Black Gate in 2018, with one of my lead articles being coverage of Todd McAulty’s Robots of Gotham (spoiler alert: Todd McAulty is a pseudonym for John O’Neill). In 2019, at a Gen Con event with John and Howard Andrew Jones, I heard about the editing opportunity at Black Gate that led to becoming the Managing Editor.

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Robert E. Howard Days, 2026, and The Emerging Writers Workshop

Robert E. Howard Days, 2026, and The Emerging Writers Workshop

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The House!

After what seems like strange aeons of dreaming about it, Mark Finn, Jason Waltz, and  I (Adrian Simmons) have pulled the trigger on running an in-person Sword & Sorcery writing workshop.  Added bonus, we’re holding it in the heart of S&S history, Cross Plains Texas, Robert E. Howard’s home during his days of creating characters like Conan, Soloman Kane, Brikenridge Elkins, El Borak, among others.

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Dark Muse News: Reviewing Arcane Arts and Cold Steel by David C. Smith

Dark Muse News: Reviewing Arcane Arts and Cold Steel by David C. Smith

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Arcane Arts and Cold Steel (Pulp Hero Press, December 24, 2025)

From History to Writing Sword and Sorcery, Pulp Hero Press has us covered

In 2019, Pulp Hero Press published Brian Murphy’s Flame and Crimson: A History of Sword-and-Sorcery, which was notably covered by David C. Smith (link to review) and John O’Neill (link) on Black Gate. O’Neill highlighted that Brian Murphy was one of the earliest contributors to Black Gate, from way back in 2012! Six years have passed since the publication of Flame and Crimson; whereas the subtitle and focus of that was a history of Sword & Sorcery (S&S), Pulp Hero Press just followed with a sequel focused on writing it, penned by David C. Smith with a foreword by John O’Neill.

This post covers the complementary book Arcane Arts and Cold Steel: Writing Sword-and-Sorcery Fiction (Pulp Hero Press 2025, 298 pages).  Greg Mele recently posted a Black Gate article on how this book is The Literary Sorcerer’s Toolkit; read that to learn more about the author.

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It’s a Scam. It’s All a Scam.

It’s a Scam. It’s All a Scam.

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Good afterevenmorn, Readers!

I’ve been receiving a great many emails of late, of a kind that I’m sure many authors are getting, and I think I should probably talk about it, because it’s all such a scam. There are several flavours of scam emails that are circulating at present, of which I have personally experienced two, so let’s talk about them. …

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The Translators Enriching SFF

The Translators Enriching SFF

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The Witcher series by Andrzej Sapkowski, translated by Danusia Stok and David French (Gollancz editions)

If there is one group of people that deserve more praise in the literary community, it’s translators. Recent years have shown us just how vital they are to our bookshelves and TBR lists. Its them we have to thank for every Roadside Picnic and Eternaut that dares to tantalize English speakers the world over.

Make no mistake, theirs is a challenging, sometimes even thankless job. The difficulty of translating an entire novel into another language should not be underestimated. Finding the right expression, the correct syntax, ensuring the lyricism of a work is properly communicated are just a few of the challenges translators face. Calling it an art of its own would be no exaggeration. And as a result of that art, we as readers, have been gifted a Smaug’s hoard of titles. Think entire subgenres, fresh visions of tomorrow, and treasure troves of inspiration. Our beloved speculative genre is so much richer thanks to the riotous rogues and deadly dames translated works have introduced us to.

Here are seven translators who have had a massive impact on the SFF community over the past two decades.

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Once Again, Writers…

Once Again, Writers…

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A white sign with the word “No” sticks up above a crowd.
Image by Niek Verlaan from Pixabay

Good afterevenmorn, Readers!

Not too long ago, I broke my long absence from video-format social media, which is just a very wordy way of saying I’m back on TikTok. I had abandoned it in the middle of the year when life slammed into me pretty hard and I needed some time and space for grieving (I lost my beautiful cat rather suddenly and unexpectedly). It wasn’t a deliberate decision, I just couldn’t handle much at all, so a lot of things just got abandoned while I worked through my stuff.

Two or so weeks ago, I returned, and ho boy, the tea is tea-ing. There’s so much drama on BookTok, specifically. There are currently three major dramas going on at present that I’m aware of, one of which really got under my skin, but I’m not touching it at present. I’m too annoyed, and I’m not even the audience that was directly insulted. Instead, I want to address writers very specifically on reviews, reviewers and review spaces.

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Why SFF Mentorships Matter

Why SFF Mentorships Matter

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What do James A. Corey, George RR Martin, and Mary Robinette Kowal have in common? Like thousands of their peers, each had a mentor help them navigate the wild world of publishing in some way, shape, or form. For newcomers, that type of support can prove to be the difference between success and failure. Because, lets face it: there have always been plenty of pitfalls and scams waiting to ensnare the next talented writer. 

That support can involve a writing teacher offering key insight or a best-seller giving time and tips to an up-and-comer. No matter the genre, mentors remain as important today as it was decades ago. Among the more renowned programs that facilitate such an exchange is the Science Fiction Writer’s Association’s (SFWA) Mentorship Program.

Mere months ago, I had the opportunity to participate as a mentee in SFWA’s program myself. Here’s what made the experience, and the work of so many writers behind the scenes, so special.

Andrea Pawley may be the most recognizable  member of SFWA’s Mentorship Program but she’ll be the first to tell you about the remarkable team she works with. That hasn’t stopped her from being a bearer of good news for the hundreds (perhaps even thousands) of hopefuls who apply every year.

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Writing Advice: Creating Character (Red Sneaker Writers)

Writing Advice: Creating Character (Red Sneaker Writers)

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It’s been a year, so let’s look at another volume of William Bernhardt’s awesome Red Sneaker Writers books. These things are absolute treasures.

I started reading William Bernhardt’s Ben Kincaid books back in the mid-nineties. I seem to recall I went on a ‘lawyer’ kick and read him, Steve Martini, and Robert K. Tannenbaum, all around the same time. But years later, Bernhardt made a bigger impact on me with his Red Sneaker Writers series. These slim volumes with the brightly attractive colors are jam-packed with great writing advice. The first book I read was on story structure, and I think it’s still my favorite. Though every one has been both interesting to read and thought-provoking. If I ever get my act together, I’ll add “taught me a lot.”

I’ve read through a couple of them more than once, making notes on paper (I CANNOT highlight a physical book. I’m incapable of it). Last year, I decided to be a little more systematic and I went through EVERY title, be it Theme, Plot, Character – all of them: and I outlined the key points in each chapter. I printed them all out and have a very cool binder. Which, if I ever actually sit down and write a novel, will be of great use.

I sent one of the outlines to him, telling him that I’d like to include it in a Black Gate post, promoting the series. He kindly granted his permission. Today, it’s the third outline in this series.

I’m fortunate that many actual, real, Writers (note the capital ‘W’) with books you can buy on Amazon, or at bookstores (if you can find one that is still in business), are friends of mine. And they are FAR more qualified than I am to talk abut writing advice. I think I hold my own as a Black Gate blogger, and there are worse Sherlock Holmes short stories out there than mine (And certainly better ones!). But my unfinished novel is just a bunch of words strung together, until I finish it.

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We Are Not Commodities (Modern Marketing Scares Me)

We Are Not Commodities (Modern Marketing Scares Me)

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An old woman standing in an empty dorm points a shotgun at the viewer. On the wall behind her is scrawled the words “We are not things”
A still from Mad Max: Fury Road

Good afterevenmorn, Readers!

You’ll have to excuse me as I’m currently on holidays, and the absence of the routine of heading into the office daily has thrown off my brain a little. Today, I wanted to muse about something quite personal to me. I had, for  quite a while, taken myself off most social media — I was still on Facebook a very little, and continued to watch YouTube videos — but the rest of them were used only to post a link to my blog post (such as BlueSky), or not at all (TikTok, looking at you). But I have since returned, albeit slowly and distantly.

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Back Into the AI Debate

Back Into the AI Debate

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Image courtesy of Pixabay, found under the “authentic only” search (not AI)

Good afterevenmorn, Readers!

This post is going to be a little “old lady yells at clouds” today, so prepare!

With the news that Anthropic, the AI company behind Claude Chaptbot, was sued and settled for their large-scale theft of books in order to train its AI model, I have been reading a glut of articles both for and against the use of AI, specifically to write fiction novels. Naturally, not being AI (I swear!), I’m firmly against. The theft of creative works to train these programs, and the environmental damage required to get the up and keep them running aside (and those two reasons alone are strong enough, I feel, to abandon AI) I don’t think AI belongs in creative fields; some aids, perhaps, some tools, yes. But I don’t think creating AI that can “write” a novel is in any way valuable.

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