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The Literacy Crisis: Literary Devices

The Literacy Crisis: Literary Devices

Last one… for now

Good Afterevenmorn, Readers!

This is the last of the rants related to my misguided venture back into social media (must try and market, you know?) that resulted in several eyebrow-raising arguments in the bookish corner of those spaces.

This last one is perhaps most forgivable, and could be chalked up to not paying attention in English class, and perhaps not being especially well read. Clearly the original poster was not aware of certain literary devices (and maybe English in general).

It still raised my brows, however. Let’s dive in.

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The Literacy Crisis: Dialogue Skimming

The Literacy Crisis: Dialogue Skimming

Here we go again

Good afterevenmorn, Readers!

I am back again with more internet drama that I believe is all interconnected and all very much related to the current literacy crisis we are suffering. This time, it’s all about skimming. Specially, the revelation that all these social media “readers” are actually just skipping to the dialogue and reading only that. Let’s dive into this little nugget, shall we?

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The Literacy Crisis – Vocabulary

The Literacy Crisis – Vocabulary

Me… yet again

Good afterevenmorn, Readers!

I have returned with the next issue of me yelling into the aether (the literacy crisis series), engendered by four simultaneous fights I witnessed on social media a couple of weeks ago. This one appears to be the most controversial, for reasons I cannot fathom.

Big words.

Let’s talk about it, shall we?

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Writing Anyway

Writing Anyway

Good afterevenmorn Readers!

This is going to be a personal post, brought on by the various, incredibly depressing discussions around A.I. and artistic creation. As I’m primarily a writer, or, at least, I’m hoping to make a living as a writer. I draw and paint as well, but those are things I do mostly for me and I’m not trying to make a career of that. Perhaps more than one of you can relate to the state of, well, creation right now.

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Fiction Writers, Read Non-Fiction

Fiction Writers, Read Non-Fiction

The priestess, a gold prosthetic eye, and a burnt city. This woman is begging for a story about here. Read about the discovery here.

Good afterevenmorn, Readers!

This one is for the writers out there. Also, I’d like to remind all the writers out there that any writing advice should be taken with a large grain of salt, and while the title does make it seem like I’m commanding thee to read non-fiction, you don’t have to. Of course. I just find that I get most of my inspiration for my fiction from non-fiction.

Very specifically, archaeology… Especially for fantasy (but it has its place in science fiction, too, as you’ll see).

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The Purple Prose of Robert E. Howard

The Purple Prose of Robert E. Howard


The Sowers of the Thunder, a collection by Robert E. Howard (Zebra Books,
March 1975, and Ace Books, July 1979). Covers by Jeff Jones and Esteban Maroto

A personal rant this morning on the issue of: Purple Prose.

A criticism often leveled at Heroic Fantasy, particularly sword & sorcery and sword & planet, is that it’s full of purple prose. Purple prose is flowery and ornate, overloaded with metaphor and melodrama, and full of cliché.

We’ve all seen examples, but bad writing can be found anywhere, in any genre. It irritates me to see all writers in a genre lumped together. For example, I’ve heard Robert E. Howard called a purple prose writer. I probably turned purple in anger in response. Most of REH’s mature writing is remarkably lean, with seldom more than one, and often no qualifying adjectives for his nouns.

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Not This Again

Not This Again

This swallow needs the world to know her thoughts. It’s me. I am the swallow.

Good afterevenmore, Readers!

First, my apologies for getting this to you late, instead of my usual morning post (also, please spare a thought for the editor, whose forbearance is bordering on legendary. Give him some kudos in the comments). I was away on holidays all last week and couldn’t get my usual writing in.

I wasn’t completely out of the world while on holidays. I did occasionally check social media… which might have been a mistake, because an old, old argument has begun once again. This isn’t one where I can understand both sides. This is one where I am firmly on one side, for very obvious reasons. There are several points to this argument, all of which stem from the same kind of thought process, and all of which I find exhausting.

But what argument, you ask? (I’m assuming) Ah! But the age old argument of the cost of stories.

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Dark Muse News: The Legend of Top-Shelf Books Open Mic

Dark Muse News: The Legend of Top-Shelf Books Open Mic

Ever hear of the legend of Top Shelf Books? Gene Wolfe did!

I first heard about the legendary Top Shelf Books from four people who had frequented that mythical venue. However, they were not together when they mentioned the place, and the interval between tellings was years and across many locations. What I eventually learned was that it was a used book shop that hosted open-mic readings for writers. The “open-mic” writer’s group ran from ~2007-2013, in Top Shelf Books in Palatine, Illinois. It was uncanny that Top Shelf kept creeping into conversations, so I had to find out the history and then share it! Here are those who introduced me to the legend.

2015: Author Joe Bonadonna was the first. Back in 2015, he had reviewed my first novel and, by serendipity, we both joined forces as Perseid Press contributors for Heroika and Heroes in Hell, sharing six volumes; we even jointly wrote a story for Monsters in Hell. I adore Joe’s Dorgo the Dowser (Mad Shadows) books and interviewed him in 2022. Several times over the last decade, he mentioned Top Shelf.

2016: Chief editor of Black Gate, John O’Neill, was another Top Shelfer. I met John in person at the 2016 World Fantasy Convention, the same year and event in which Black Gate won the World Fantasy Special Award.  I began contributing to Black Gate in 2018, with one of my lead articles being coverage of Todd McAulty’s Robots of Gotham (spoiler alert: Todd McAulty is a pseudonym for John O’Neill). In 2019, at a Gen Con event with John and Howard Andrew Jones, I heard about the editing opportunity at Black Gate that led to becoming the Managing Editor.

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Robert E. Howard Days, 2026, and The Emerging Writers Workshop

Robert E. Howard Days, 2026, and The Emerging Writers Workshop

The House!

After what seems like strange aeons of dreaming about it, Mark Finn, Jason Waltz, and  I (Adrian Simmons) have pulled the trigger on running an in-person Sword & Sorcery writing workshop.  Added bonus, we’re holding it in the heart of S&S history, Cross Plains Texas, Robert E. Howard’s home during his days of creating characters like Conan, Soloman Kane, Brikenridge Elkins, El Borak, among others.

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Dark Muse News: Reviewing Arcane Arts and Cold Steel by David C. Smith

Dark Muse News: Reviewing Arcane Arts and Cold Steel by David C. Smith


Arcane Arts and Cold Steel (Pulp Hero Press, December 24, 2025)

From History to Writing Sword and Sorcery, Pulp Hero Press has us covered

In 2019, Pulp Hero Press published Brian Murphy’s Flame and Crimson: A History of Sword-and-Sorcery, which was notably covered by David C. Smith (link to review) and John O’Neill (link) on Black Gate. O’Neill highlighted that Brian Murphy was one of the earliest contributors to Black Gate, from way back in 2012! Six years have passed since the publication of Flame and Crimson; whereas the subtitle and focus of that was a history of Sword & Sorcery (S&S), Pulp Hero Press just followed with a sequel focused on writing it, penned by David C. Smith with a foreword by John O’Neill.

This post covers the complementary book Arcane Arts and Cold Steel: Writing Sword-and-Sorcery Fiction (Pulp Hero Press 2025, 298 pages).  Greg Mele recently posted a Black Gate article on how this book is The Literary Sorcerer’s Toolkit; read that to learn more about the author.

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