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GEN CON WRITERS’ SYMPOSIUM AUG 1-4, 2024: SPECIAL GUESTS AND PROGRAM RELEASE

GEN CON WRITERS’ SYMPOSIUM AUG 1-4, 2024: SPECIAL GUESTS AND PROGRAM RELEASE

Gen Con Writers’ Symposium

This post announces our 2024 Special Guests and reveals the Program. May 19th is the official registration day, but attendees can wishlist their events now!

Gen Con is the largest tabletop gaming convention in North America. In 2023, they welcomed over 70,000 unique visitors and offered over 19,000 events. By its nature, Gen Con attracts a large number of attendees who enjoy speculative fiction across formats. Gen Con 2024 will be held August 1-4 in Indianapolis, Indiana.

The Gen Con Writers’ Symposium is a semi-independent event hosted by Gen Con. It’s focused on writers of games and speculative fiction of all experience levels, but with as much fun and interest for gamers, readers, and fans. All registration is handled through the Gen Con website.  In the past 28 years, the Writers’ Symposium has grown from a small set of panels over a day or two of the convention to one of the largest convention-hosted writing tracks in North America, offering hundreds of hours of programming from 70+ authors, editors, agents, and publishers to nearly 3000 unique visitors per year on average.  We’ll be on the second floor of the Indianapolis Downtown Marriott (i.e., not the adjacent JW Marriott ). Head to our event at 350 W Maryland St, Indianapolis, IN 46225. The Black Gate Convention report for last year’s symposium gives a good flavor of what to expect, and the planning committee’s website at genconwriters.org has all the details.

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Courage Does Not Always Roar

Courage Does Not Always Roar

This is one of mine

Good afterevenmorn!

As I’m prepping for the release of the first part of my free serial story on my person blog (11 days!), I’m thinking a great deal about the characters I tend to find most interesting and therefore tend to write the most about — those poor traumatized souls. It’s not just that they’re imperfect (perfection is horrendously dull, I find), or even just that they’re deeply flawed. They’re hurting and more often than not, they’re acting from that place of hurt. These are the characters I find more fascinating than others both to read and write about. You see, there are two ways they could go. They could either be a hero or a villain, and the smallest slip would begin the plunge into villainy, while achieving heroic heights is always an intense struggle. Reading characters that are teetering on that knife edge is always a good time for me.

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Don’t Quit

Don’t Quit

Image by PDPics from Pixabay

Goodafterevenmorn!

You may recall that I once said that all writing advice is bunk (sort of). I hold that to be mostly true. Knowing this, I’m still going to offer some advice to anyone out there who happens to be a struggling writer (hello, I’m your resident frustrated author who thinks of giving up three times a day. Welcome to my little support group. Do take a seat), because it’s something I desperately need to remind myself. Repeatedly. If there’s one piece of writing advice you should follow to the letter, it’s this:

Don’t quit.

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The Content Warning Debate

The Content Warning Debate

This is a trigger fish, apparently: Image by Brigitte Werner from Pixabay

Good afterevenmorn!

In an effort to try and get myself “out there,” so to speak, and figure out what marketing tricks I can use that don’t feel horrendously icky to me in order to try and inch towards making a living from my writing, I spend a lot of time on TikTok. I sometimes attempt to get my books out there, but those videos never get any views. When I’m just fooling around with the various filters they have, I often get far more views; in the hundreds or thousands. I don’t understand it. I don’t understand the algorithm, or how to take advantage of it. I am terrible at marketing. Still, I try. And I’ll keep trying. Maybe I’ll have it work out randomly. Mostly, I just waste hours of my life scrolling through my feed, which currently consists of international news, Hozier (I watched two videos and TikTok has decided I’m obsessed), and a lot of book content. As is usually the case in BookTok, there is a debate raging right now regarding content/trigger warning appearing at the front of the book.

It’s quite an interesting debate.

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What Makes a Project a “Passion Project”?

What Makes a Project a “Passion Project”?

For me, a passion project is something that could not be sold in a traditional sense to the mainstream market, but you want — need — to create it anyway. Dear Penpal, Belgium 1980 is the kind of project that I could not sell to a traditional publication house despite it being a middle grade-appropriate cozy ghost story. Partly because it is told in 24 physical letters. Partly because while it is middle grade-appropriate, its ephemeral nature and subject matter will appeal to a broad range of ages — which makes it hard for any marketing department to categorize.

It’s not just a ghost story. Nor is it just a story of a Gen-X, latchkey kid trying to survive in a foreign country. Nor is it just a story about the importance of family (especially a military family) and the power of friendship. It is a project that defies conventional age, topic, and multimedia barriers.

For this passion project, the questions I get most often are: “Why physical letters?” and “Why Belgium in 1980?”

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The Creative Friends Problem

The Creative Friends Problem

Image by Elisa from Pixabay

Good afterevenmorn!

In a rather dangerous pastime, I’ve been thinking. I’m a writer, you see (like I don’t mention that as much as possible. How insufferable. Anyway…), and as a writer, I’ve made a good many friends who are also writers. We attend conventions together, we join writing groups, or go out for coffee and chat. In fact, I’m quite certain that the majority of my friends are creatives of one sort or another, and the vast majority of those are fellow writers.

Which, frankly, is fantastic.

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It’s Magic

It’s Magic

Image by Pete Linforth from Pixabay

Good day, Readers!

Well, that sounded more passive-aggressive than I intended. Let’s ignore that. One of the beautiful things about social media is the discourse that can be had about all manner of things. Some of it is awful — alright, a lot of it is awful — but it isn’t always. What crossed my feed this week was not one of the awful things, but rather brought up a really interesting discussion about magic in fiction; and how people prefer to consume it.

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The StoryGraph: To Help My 2024 Goals. Join Me?

The StoryGraph: To Help My 2024 Goals. Join Me?

Hello, Readers!

It’s 2024 already. How? How did that happen?!

Like many of you (I suspect), I’ve added ‘read more’ to my goals for this year. I try not to make resolutions, but rather goals. It feels a little less pushy and more gentle. You still have something to strive for, but it somehow feels less harsh. Anyway, I have very limited time, so reading so often finds itself on the back burner.

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Must It Be Your Favourite?

Must It Be Your Favourite?

Image by Patrik Houštecký from Pixabay

Why hello there!

On my last post, I received a question that I want to take the time to answer fully and so, with the commenter’s permission, I’ll do so here. It’s a great question, but it is also indicative of a broader issue with writing advice that I also want to touch on. But first, the question:

There’s a piece of writing advice that I know is well-meant, but I never know what to think of it: the work you are writing now should be your favorite work yet. Any perspectives on that one?

Why yes, yes I have a perspective on that piece of advice. Primarily, this one:

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