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Tor Double #16: James Tiptree Jr.’s The Color of Neanderthal Eyes and Michael Bishop’s And Strange at Ecbatan the Trees

Tor Double #16: James Tiptree Jr.’s The Color of Neanderthal Eyes and Michael Bishop’s And Strange at Ecbatan the Trees

Cover for The Color of Neanderthal Eyes by Dave Archer
Cover for And Strange at Ecbatan the Trees by Brian Waugh

And Strange at Ecbatan the Trees was originally published as a stand-alone novel by Harper & Row in March, 1976. The story lends takes its title from the poem “You, Andrew Marvell,” written by Archibald MacLeish, which also provided the title for Black Gate contributor Rich Horton’s blog. The poem is a look at the transience of empires, and Michael Bishop’s story follows suit.

In fact, published in the month following Vance’s The Last Castle and Silverberg’s Nightwings, And Strange at Ecbatan the Trees almost gives the feeling that the Tor Double series was a collection of stories about the collapse of civilization. In And Strange at Ecbatan the Trees, Michael Bishop describes and alien world which was settled by humans fleeing Earth six millennia before. By the time of the novella, they have split into warring factions and outright battle appears to be just over the horizon.

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Tor Double #15: Jack Vance’s The Last Castle and Robert Silverberg’s Nightwings

Tor Double #15: Jack Vance’s The Last Castle and Robert Silverberg’s Nightwings

Cover for The Last Castle by Brian Waugh
Cover for Nightwings by Mark Ferrari

The Last Castle was originally published in Galaxy in April, 1966. It won the Hugo Award and the Nebula Award. The Last Castle is the first of two Jack Vance stories to be published in the Tor Doubles series.

The Last Castle is set on a future Earth that humans have abandoned and later returned to. With their return, they brought a civilization which was based on a strong caste system Gentlemen were humans who lived in the castles which were established across the planets. Other humans, Nomads and Expiationists, lived outside the castles and were viewed as barely more than animals. Serving the Gentlemen in the castles were the Peasants, Phanes, Birds, and Mek, various races which were brought back to Earth with the humans in order to perform certain tasks.

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Half a Century of Reading Tolkien: Part Six Bored of the Rings by Henry N. Beard & Douglas C. Kenney

Half a Century of Reading Tolkien: Part Six Bored of the Rings by Henry N. Beard & Douglas C. Kenney

This book is predominantly concerned with making money, and from its pages a reader may learn much about the character and the literary integrity of the authors. Of boggies, however, he will discover next to nothing, since anyone in the possession of a mere moiety of his marbles will readily concede that such creatures could exist only in the minds of children of the sort whose childhoods are spent in wicker baskets and who grow up to be muggers, dog thieves, and insurance salesmen. Nonetheless, judging from the sales of Prof. Tolkien’s interesting books, this is a rather sizable group, sporting the kind of scorch marks on their pockets that only the spontaneous combustion of heavy wads of crumpled money can produce. For such readers we have collected here a few bits of racial slander concerning boggies, culled by placing Prof. Tolkien’s books on the floor in a neat pile and going over them countless times in a series of skips and short hops. For them we also include a brief description of the soon-to-be-published-if-this-incredible-dog-sells account of Dildo Bugger’s earlier adventures, called by him Travels with Goddam in Search of Lower Middle Earth, but wisely renamed by the publisher Valley of the Trolls.

from the Prologue — Concerning Boggies from Bored of the Rings

My introduction to Bored of the Rings (1969, a scatalogical, offensive, and dated, but hilarious, parody of The Lord of the Rings), came at the hands of a friend of mine, Karl H., during a Boy Scout camping trip in the late seventies. My first memory of Karl is him at 8 years old being carried kicking and yelling over the school custodian’s shoulder after he’d been caught trying to scale the back fence. Two years older than me, we stayed friends until he graduated high school in 1982. I saw him once more after that before he disappeared into the wilds of the West Coast. When first his sister, and then his mother passed away, I didn’t find out until weeks after the fact and missed both funerals and him.

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Tor Double #14: Poul Anderson’s The Saturn Game and Gregory Benford and Paul A. Carter’s Iceborn

Tor Double #14: Poul Anderson’s The Saturn Game and Gregory Benford and Paul A. Carter’s Iceborn

Cover for The Saturn Game by NASA
Cover for Iceborn by Marx Maxwell

The Saturn Game was originally published in Analog in February, 1981. It was nominated for the Hugo Award and the Nebula Award, winning the latter. The Saturn Game is the second of three Anderson stories to be published in the Tor Doubles series after No Truce with Kings.

In 1978, Andre Norton published the novel Quag Keep, widely considered to be the first representation of role playing games in fiction. Norton’s story had a role player fall into Gary Gygax’s World of Greyhawk and live out the sort of adventures that occur in role playing games. By 1981, role playing had become more broadly established, although still niche, especially when compared to today’s popularity. In 1981, Larry Niven and Steven Barnes published Dream Park, in which an amusement park ran what were essentially Live Action Role Playing Games. In the same year, Poul Anderson published The Saturn Game, in which a fantasy role playing game was used in a variety ways on a mission to Saturn.

The Saturn Game begins in the middle of a role-playing session as Anderson’s characters are killing time during the long journey to Saturn. In this sequence, Anderson introduces the reader to the characters, both who they are and who they portray in the game. One of the intriguing things about the importance of the game to the characters is that they are living an adventure: the flight to Saturn, but still feel the need to escape into their world of adventure, although not all of the characters play the game.

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Tor Doubles #13: Kim Stanley Robinson’s The Blind Geometer and Ursula K. Le Guin’s The New Atlantis

Tor Doubles #13: Kim Stanley Robinson’s The Blind Geometer and Ursula K. Le Guin’s The New Atlantis

Cover for The New Atlantis by Michael Böhme
Cover for The Blind Geometer by Peter Gudynas

The New Atlantis was originally published in The New Atlantis and Other Novellas of Science Fiction, edited by Robert Silverberg and published by Hawthorn Books in May, 1975.  It was nominated for the Hugo Award and the Nebula Award and won the Locus poll.

The story opens with Le Guin’s narrator, Belle, returning home from a Wilderness Week aboard a bus where another passenger attempts to engage her in conversation, noting that a new continent is rising in the ocean, either the Atlantic or Pacific, but scientists have little information about it to go on. This exchange allows Le Guin to provide the reader with information about the climate change that is affecting her world. Manhattan underwater and parts of San Francisco are flooded.

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Tor Doubles #12: Roger Zelazny’s He Who Shapes and Kate Wilhelm’s The Infinity Box

Tor Doubles #12: Roger Zelazny’s He Who Shapes and Kate Wilhelm’s The Infinity Box

Cover for He Who Shapes by Wayne Barlowe
Cover for The Infinity Box by Royo

He Who Shapes was originally serialized in Amazing Stories between January and February, 1965. It won the Nebula Award, tying with Brian W. Aldiss’s The Saliva Tree, which appeared as half of Tor Double #3. He Who Shapes is the first of three Zelazny stories to be published in the Tor Doubles series. Zelazny’s original title for the story was The Ides of Octember, which was changed before its initial publication. He eventually expanded the novella to the novel length The Dream Master and the original title was used on the story when it was reprinted in 2018 in the collection The Magic.

The story focuses on Charles Render, a neuroparticipant therapist, and drops the reader into a session, in which Render is creating a reality for his patient, in which the patient is Julius Caesar in a world in which the assassins kill Marcus Antonius while Caesar/the patient longs for martyrdom. Following the session, Zelazny introduces Render and his techniques to the reader in a manner which leaves no room to doubt that Render may be adept and the technical part of what he does. But his bedside manner leaves much to be desired.

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Tor Double #11: James Tiptree, Jr.’s Houston, Houston, Do You Read? and Joanna Russ’s Souls

Tor Double #11: James Tiptree, Jr.’s Houston, Houston, Do You Read? and Joanna Russ’s Souls

Cover for Houston, Houston, Do You Read? by Ron Walotsky
Cover for Souls by Dieter Rottermund

Houston, Houston, Do You Read? was originally published in Aurora: Beyond Equality, edited by Susan Janice Anderson and Vonda N. McIntyre and published by Fawcett Gold Medal in May, 1976. It won the Hugo Award and the Nebula Award. Houston, Houston, Do You Read? is the second of three Tiptree stories to be published in the Tor Doubles series, with only three female authors previously published in the series (four, if you include Joanna Russ in this volume), Tiptree is the first woman to have a second story included.

Major Norman “Dave” Davis, Captain Bernhard “Bud” Geirr, and “Doc” Orrin Lorimer are completing a year-long mission to orbit the sun in a spacecraft, the Sunbird. Upon nearing Earth, they are surprised, and annoyed, to hear women’s voices on the channels normally reserved for Mission Control in Houston. It becomes clear to the readers, if not the characters, that they have entered a Buck Rogers situation. Their orbit around the sun has resulted in their spaceship being catapulted into the far future.

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Vintage Empires: James Nicoll on Galactic Empires, Volumes One & Two, edited by Brian W. Aldiss

Vintage Empires: James Nicoll on Galactic Empires, Volumes One & Two, edited by Brian W. Aldiss

Galactic Empires, Volume One and Two (Orbit, October 1976). Covers by Karel Thole

My fellow Canadian James Nicoll continues to be one of my favorite SF bloggers, probably because he covers stuff I’m keenly interested in. Meaning exciting new authors, mixed with a reliable diet of vintage classics.

In the last two weeks he’s discussed Kate Elliots’s The Witch Roads, Axie Oh’s The Floating World, Ada Palmer’s Inventing the Renaissance, and Emily Yu-Xuan Qin’s Aunt Tigress, all from 2025; as well as Walter Jon Williams The Crown Jewels (from 1987), Wilson Tucker’s The Long Loud Silence (1952), C J Cherryh’s Port Eternity (1982), and John Brunner’s 1973 collection From This Day Forward. Now that’s a guy who knows how to productively use his leisure time. Not to mention caffeine.

But my favorite of his recent reviews is his story-by-story breakdown of Brian W. Aldiss’s massive two-volume anthology Galactic Empires, which made me want to read the whole thing all over again.

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Half a Century of Reading Tolkien: Part Five: From the Beginning — The Hobbit by JRR Tolkien

Half a Century of Reading Tolkien: Part Five: From the Beginning — The Hobbit by JRR Tolkien

The Hobbit first edition dust jacket (1937). Cover by JRR Tolkien

In a hole in the ground there lived a hobbit.

Chapter 1, An Unexpected Party – The Hobbit

Fifty years ago, when I first read this book, I didn’t imagine I’d still be reading it so many years later. Heck, I doubt I could have even imagined being as old as I am now. But I do reread it every few years. When I revisit The Hobbit, my journey is bathed in nostalgia as much as with the simple enjoyment caused by reading a charming book that I happen to know inside out, from the opening line above on through to the very end.

In my initial article on half a century of reading Tolkien back in January, I described my dad trying to get our first color tv in time to watch the Rankin & Bass The Hobbit. Remembering that again last week left me thinking more of my dad, now gone nearly 24 years, than the book. He was ten years younger than I am now when the movie first aired, which makes me feel incredibly old at the moment. For such a conservative man,  he was excited to see it — admittedly, in a restrained way. I think we liked it well enough, but leaving out Beorn irked us both. Beyond Tolkien’s books, our fantasy tastes rarely coincided (I’ve got a shelf full of David Eddings books he bought, if anyone’s interested), but with The Hobbit and LOTR, we were in complete agreement.

What’s there to say about The Hobbit here on Black Gate? Nothing, really. I imagine most visitors here have read it, many more than once, and have their own ideas on it. It’s one of the most widely read books in the world. Instead, I’m going to discuss some adaptations of the book. But first, a summary.

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Tor Double #9: Isaac Asimov’s The Ugly LIttle Boy and Theodore Sturgeon’s The [Widget], the [Wadget], and Boff

Tor Double #9: Isaac Asimov’s The Ugly LIttle Boy and Theodore Sturgeon’s The [Widget], the [Wadget], and Boff

Cover for The Ugly Little Boy by Alan Gutierrez
Cover for The [Widget], the [Wadget], and Boff by Carol Russo
The ninth Tor Double collects novellas by Isaac Asimov and Theodore Sturgeon, the only entries by either author. The Asimov’s story is The Ugly Little Boy and Sturgeon offers the oddly titled The [Widget], the [Wadget], and Boff. This volume is the first to include two stories that did not win, or even receive a nomination, for any awards. Leigh Brackett’s story in the previous volume wound up winning the 2020 Retro Hugo Award.

Theodore Sturgeon’s The [Widget], the [Wadget], and Boff was originally published in F&SF in November, 1955. The strange title is entirely fitting for the strange story Sturgeon has to tell. Just as two of the words in the title are framed by brackets, the story has a science fictional device framing it, in the form of a report by two aliens visiting Earth. In their report, which partly looks at whether or not “Synapse Beta sub Sixteen” exists in humans (and whether the species can survive without it), but also serves as an indictment of one of aliens by the other, the aliens set words in brackets when there is no exact English equivalent for what they are attempting to say.

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