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Five Things I Think I Think (January, 2026)

Five Things I Think I Think (January, 2026)

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It’s been quite a while since I’ve shared some Things I Think. Since I just jumped back down the Castle rabbit hole, and finished off the associated Nikki Heat books, I had the basis for this column. And away we go!

1 – CASTLE STILL SLAMS

Nathan Fillion was a big name on the nerd convention circuit (you know I was a nerd way back when it got you laughed at in school) due to the cult favorite, Firefly. He’d had some attention in more mainstream things such as Two Guys, a Girl, and a Pizza Place, but in 2009 a buddy cop show launched him to stardom. He was Richard Castle, a James Patterson-like writer who works with NYC detective Kate Beckett (Stana Katic). It’s an odd couple pairing, with the immature Castle constantly annoying the professional driven Beckett.

I like a drama buddy cop show with humor, and Castle is one of the best. There are some over-arching story-lines, and even a big cast change. Humor, original crimes, good cast: this show worked. I’m on season two of my first-ever re-watch, and this is still a favorite show. It holds up, and Fillion really shines. It’s got more humor than his current hit show, The Rookie, which I also watch.

The show ran eight seasons, with viewership trending downward, as is often the case in long-running ones. But it got to where Fillion and Stanic were not even speaking off camera. It was abruptly announced that the show would continue without Katic – only Fillion. Not long after that, it was canceled outright. Several Castle co-stars have appeared on The Rookie. Katic has not been one of them. But you can’t go wrong watching Castle.

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My Top Thirty Films, Part 2

My Top Thirty Films, Part 2

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Silent Running (Universal Pictures, March 10, 1972)

I’ve had a little think about my favorite films, and what makes them my favorites. As you will see, my choices are on the whole rather fluffy, but these are the films that I return to time and time again for comfort, or as a way to reset my brain. I’d be very interested to find out if any of my favorites align with any of your own – please let me know in the comments below!

Read Part 1 here. Without further ado, in no particular order, and no ratings (because they are all 10s), let’s get cracking!

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A Sword & Sorcery Classic: Michael Crichton’s Eaters of the Dead

A Sword & Sorcery Classic: Michael Crichton’s Eaters of the Dead

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Eaters of the Dead by Michael Crichton (Bantam Books, April 4, 1977)

Michael Crichton (1942 – 2008) apparently always wanted to be a writer but earned an MD from Harvard Medical school in the meantime. He wrote while in school, publishing several novels under the name John Lange (he borrowed the name from anthropologist Andrew Lang). I only have one of these books — Zero Cool — but haven’t read it. Crichton’s writing was going well enough by the time he got his MD that he never practiced medicine, choosing to write and direct movies instead. He directed Westworld and Coma.

The first book I read by Crichton was The Andromeda Strain, found in my high school library. It was a compelling read about an alien disease sweeping Earth, but the ending was disappointingly anti-climactic. Our library also had his The Terminal Man, and I read that, though I don’t remember much about it. Later, of course, I read many of his big thrillers, Congo, Sphere, and Jurassic Park, and I enjoyed them enough to buy everything he’d written under his own name.

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My Top Thirty Films, Part 1

My Top Thirty Films, Part 1

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The City of Lost Children

Here’s a New Year’s treat* to distract you from the fact that I haven’t completed a new themed watch-a-thon (it’s coming, eventually).

I’ve had a little think about my favorite films, and what makes them my favorites. As you will see, my choices are on the whole rather fluffy, but these are the films that I return to time and time again for comfort, or as a way to reset my brain. I should be ashamed to admit that there really aren’t many ‘sensible’ films on this list — in the sense that critical classics such as Citizen Kane, Belle de Jour, Black Narcissus, The Seventh Seal, or White Chicks don’t show up — however, the films that make me truly happy are the jolly romps, flights of fancy, or nostalgia-triggers.

I can appreciate, even love, a serious drama, but I won’t return to it time and time again.

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Star Wars is the Best Star War

Star Wars is the Best Star War

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Today, nearly fifty years after its release, Star Wars still feels fresh, exciting and entirely organic. It is a naturally progressing story. Everything in it matters, and every moment leads inexorably and inevitably to the next moment, as it should — building to a tremendous climax and satisfying denouement.

None of those things are true about its immediate sequel, The Empire Strikes Back.

For that reason above all others, I rate Star Wars by far the better film.

I am well aware that a number of fans of the franchise — possibly a majority and seemingly in greater numbers every year — feels Empire is superior, including Black Gate‘s own Neil Baker.

I believe they are wrong.

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Iron Lung vs The Establishment

Iron Lung vs The Establishment

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Good afterevenmorn, Readers!

I feel like I manifested this… But I’m getting ahead of myself. Does anyone remember me lamenting about how difficult it was for original or new folks to break out in the entertainment industry? I’ve been griping since Adam was knee-high to a grasshopper (how’s that for a malaphor?) that original stories aren’t getting made anymore, with production companies all settling for established IPs with a huge fanbase they can take advantage of. Smaller stories, no matter how good they might be, are left in the dust because creative risks are just not done any longer.

It’s been a point of ire of mine for a while now. And then, as if answering the call, in comes a YouTuber with a fully independently produced and distributed film based in the world of a fully independently created video game. Alright, technically it is an adaptation, but the fact that the game is independent, small, and not widely known in the way, say, the Assassin’s Creed Franchise is, means that this one counts. It counts, alright?

Also, I believe this is not the story in the game, but in the world of the game, but I’ll explain later.

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The Star Warses — Part 2

The Star Warses — Part 2

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Star Wars: The Force Awakens (Walt Disney Studios, December 14, 2015)

Read Part 1 here.

#6 – The Force Awakens (2015)

A great way to kickstart the franchise after a dozen years, even if it is a retread of A New Hope. There’s a lot to love in this film; I think it features some of Williams’ best work with recurring leitmotifs that instantly feel like they’ve been part of the entire saga, I love the new principal characters, the action set-pieces are thrilling and tick all my visual/sound design boxes, I really like all the Jakku scenes, especially Rey’s introduction, I can’t get enough of the X-wing attack outside Maz Kanata’s castle — the single tracking shot of Poe Dameron handing the New Order their arses in the air sends shivers up my spine, the respect shown to the Falcon, despite an ugly radar dish, and the unsubtle nostalgia threads woven throughout.

There’s not much on show that I don’t enjoy in this one; perhaps the superfluous scene with the betentacled beasties onboard Han’s hideous new ship, or the petulant Ren stuff, but I mostly get on fine with it all. One personal sticking point for me though is the inclusion of Simon Pegg as Unkar Plutt (he of the measly muffin portions). I used to be a huge fan of his, firstly in Spaced, and then in Edgar Wright’s Cornetto Trilogy, but his ongoing vocal hatred for the prequels and the ‘death’ of Star Wars used to get on my nerves.

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The Star Warses — Part 1

The Star Warses — Part 1

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It would seem my film lists and reviews haven’t been controversial enough, because our esteemed leader recently yelled down from the lofty belfry of Black Gate Tower and asked me to expand a little on my current Letterboxd rankings of the documentary series known collectively as The Star Wars Saga.

Essentially the rankings boil down to how the films make me feel, based purely on that initial hit I received in 1977 aged 10, when my world turned upside down.

These films are important to many of us for various reasons. They’ve dominated my life for almost 50 years, and influenced my marital status (for the better), my careers (mixed results), even my kids’ names (just ask my eldest, Salacious).

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Just When You Thought It Was Safe, Part 2

Just When You Thought It Was Safe, Part 2

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The Reef: Stalked (Shudder, July 28, 2022)

We’re back!

The film choices are limited to Prime and Tubi, because I’ve cut back on streaming services, but rest assured, there’s still a lot of rubbish to come. Yes, I’m returning to shark movies, because there are still around 17,000 I haven’t watched yet.

The Reef: Stalked (2022) – Prime

Much confusion surrounding this one. First of all, I thought this was a follow-up to the Blake Lively film, but that one was The Shallows. Then I felt like I recognized certain scenes and panicked thinking I’d seen it before. When I looked at my Letterboxd diary, it said I watched it last week and gave it 3.5 stars, but no review.

But I didn’t watch it last week.

Perhaps they are all blending together.

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Just When You Thought It Was Safe, Part 1

Just When You Thought It Was Safe, Part 1

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Empire of the Sharks (SyFy, 2017)

We’re back!

The film choices are limited to Prime and Tubi, because I’ve cut back on streaming services, but rest assured, there’s still a lot of rubbish to come. Yes, I’m returning to shark movies, because there are still around 17,000 I haven’t watched yet.

Empire of the Sharks (2017) – Tubi

SyFy and The Asylum, two things that go together like toothpaste and orange juice, or assault and battery. Here they combine to bring us the spiritual successor to Waterworld we never knew we dreaded. In a dystopian, flooded future, humanity ekes out a damp existence on floating towns beset by warlords and theatrical ne’er-do-wells. Warlord Ian Fein (John Savage) has taken a bunch of ladies from one such town to use as labor, and then as food for his collection of remote-controlled sharks.

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