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Dark Muse News: Blue Fire: A Jirel of Joiry Novella

Dark Muse News: Blue Fire: A Jirel of Joiry Novella

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Blue Fire, a Jirel of Jory tale by Molly Tanzer (Brackenbury Books, 2026). Cover art by Saša Đurđević

In February 2025, Black Gate covered Molly Tanzer’s release of “Jirel Meets Death” (published with permission from Moore’s estate); and in March 2026 Black Gate’s Dark Muse News covered Tanzer’s next story, “Jirel in the Forest of Night.” These were brought to us by Brackenbury Books, the same outfit that champions New Edge Sword & Sorcery magazine.

And now, Dark Muse News (your biweekly Black Gate blog) has coverage of Brackenbury Books’ current campaign, bringing the first-ever Jirel of Joiry book-length adventure to life (crowdfunding launched June 11th, and is still ongoing).

Blue Fire begins with Jirel fighting a foe her sword cannot smite: a terrible illness nobody can explain, let alone heal. Her search for a cure takes her many miles across many worlds, encountering friends and foes familiar and frightening!

Like Alice in Wonderland with a big f***ing sword, Jirel has compelling adventures in bizarre dream-logic realms, balancing a rich emotional life with terrifying struggles against dark forces!  — boasts Brackenbury Books

Here ye, here ye. Read on to see:

  • A tour guide of the Jirel of Jory writings
  • Excerpts from Blue Fire
  • Special Perspectives from author Molly Tanzer, artist Saša Đurđević, and editor Oliver Brackenbury
  • Status updates on the campaign

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A (Black) Gat in the Hand – Words of Wisdom from Black Mask‘s Joe Shaw

A (Black) Gat in the Hand – Words of Wisdom from Black Mask‘s Joe Shaw

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BlackMask_May1934EDITED“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I closed on a house a week ago Thursday and immediately began moving in, which is a long process for me. And I then had to go to Chicago for a work conference, doubling up my stress. So, today, you get an encore from season one of A (Black) Gat in the Hand. As a hardboiled fan, I find this essay from the legendary Black Mask editor, Joe ‘Cap’ Shaw. It offers his insights into writing for the Pulps. And it’s from an issue of Writer’s Digest, not Black Mask. I add some comments throughout. I think it’s a good read. 

The hardboiled school was born in the page of Black Mask Magazine under the editorship of George W. Sutton, with Carroll John Daly’s “Three Gun Terry” (which I wrote about here…) and “Kings of the Open Palm,” and Dashiell Hammett’s “Arson Plus,” appearing in 1923. In 1924, Sutton resigned and circulation editor Phil Cody replaced him.

Cody pushed for more stories featuring Race Williams and the Continental Op, encouraged Erle Stanley Gardner to develop Ed Jenkins (‘The Phantom Crook’), and added Frederick Nebel and Raoul Whitfield to the magazine. Cody was spread too thin managing multiple publications, and he handed the reins to Joseph Shaw, a former bayonet instructor in the Army and an unsuccessful writer with zero editorial experience (I mean, sure, why not?).

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Dark Muse News: Battleborn Magazine Issues 2 and 3

Dark Muse News: Battleborn Magazine Issues 2 and 3

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[LEFT] Battleborn issue #1 (cover art by Samuel Dillon); [CENTER] Interior Art for “Jaguar’s Children” by Greg Mele (artist Babeto Daroz); [RIGHT] art for Lee Patton’s “Temple of the River King.”
Black Gate has covered the inception of Battleborn magazine as it spawned from an August 2025 crowdfunding on Indiegogo. Columnist and author Mark Rigney interviewed the champion and chief editor Sean CW Korsgaard over three segments: Part 1, Part 2, and Part 3.

Too much ground to recap here, but we can highlight that the goal of the magazine is to blend contemporary Sword & Sorcery with reprints of classics (beyond Robert E. Howard, there will be Michael Shea, David Drake, and even more….that we ‘kane’t’ wait to share the identities of!)

Sean CW Korsgaard is not to be confused with the Commander of Battleborn Magazine. This character is akin to the Skull from Tales from the Magician’s Skull, and he is as rough as the skeletal icon, but perhaps a bit easier on his interns. The Commander has provided his sacred guidance below.

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Military Cyborgs, Alien Plants, and Desert Heists: January-February 2026 Print Science Fiction Magazines

Military Cyborgs, Alien Plants, and Desert Heists: January-February 2026 Print Science Fiction Magazines

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The January-February issues of Analog Science Fiction & Fact and
Asimov’s Science Fiction. Cover art by Tithi Luadthong and Dominic Harman

We’ve settled into a new reality with Analog and Asimov’s SF. Both magazines are consistently running more than two months late, but both are at least on a predictable schedule, arriving regularly in two-month intervals. Readers more observant than I have pointed out that the publisher, Must Read Magazines, has removed the cover date and Next Issue date from the covers entirely, which was probably a good idea.

They do provide semi-regular updates online, and on March 31st Emily Alta Hockaday, Managing Editor at Dell Magazines, posted this in the Analog Science Fiction and Fact Magazine Fan Club on Facebook in response to a question on postal delivery.

We’re in the process of switching printers — both because of print quality and the delays we’ve experienced with them. Once we have the contract with the new printer figured out, I’ll have warehouse dates to share for both March/April and May/June.

Hopefully that change will help them gradually get back on schedule. In other news, Sheila Williams continues to recover from the brain aneurysm she suffered two months ago. She remains hospitalized, but her family posts occasional updates, including the delightful photo of Sheila below.

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Avon Fantasy Reader, edited by Donald A. Wollheim

Avon Fantasy Reader, edited by Donald A. Wollheim

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A complete set (18 issues) of Avon Fantasy Reader, edited by Donald A. Wollheim and published 1947-1952

Donald A. Wollheim edited a magazine between the years 1947 to 1952 called Avon Fantasy Reader for Avon Publishers. There were 18 issues, publishing mostly reprints.

Erik Mona reviewed the first issue of Avon Fantasy Reader for Black Gate back in 2023.

I’ve never seen a copy of any of these, but in the late 1960s, George Ernsberger selected some of the best stories from the magazine for two paperback volumes. I believe there were only two. Here are some quick looks at the paperbacks, which I own and have read.

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Dark Muse News: New Edge Sword & Sorcery Magazine, Issues #8, 9, & 10

Dark Muse News: New Edge Sword & Sorcery Magazine, Issues #8, 9, & 10

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Cover Artists Cover #8 – Jimmy Makepeace  Cover #9 – Plastiboo  Cover #10 – Matej Kollár

Black Gate has been tracking the inception and growth of New Edge Sword & Sorcery (NESS) mgazine, starting with Micheal Harrington’s 2022 interview with Oliver Brackenbury (champion and editor of NESS), through 2023 with NESS’s first two magazine releases (also Greg Mele’s review of #1), and then into 2024 with NESS’s first book “Beating Heart and Battle Axes and its two-novella combo book Double-Edged Sword & Sorcery, and then in 2025 we covered NESS‘s publication of a NEW Jirel of Joiry tale! (2025) and we interviewed one of their key New Edge authors, Bryn Hammond.

Now in 2026, NESS brings us more with promises of Issues 8, 9, and 10!

The campaign to fund and expand them ends just days after this posting (March 14th )!  Hurry now to Backerkit to get some exclusives like a poster featuring live models in full S&S costume, discounted back issues, and a cover art postcard; also, backing unlocks more interior art and bumps author payments. If you miss out, or want some of the prior rewards from previous crowdfunding, get back issues and other NESS offerings in their shop, noting that print copies often have limited print runs.

So what is in the next three issues? We asked Oliver Brackenbury that, and his answer is below. And we had a feeling Jirel of Joiry would return, and we asked Molly Tanzer to provide a bit of perspective on the heroine.

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Exploring the Dark Side of Life: Remains, edited by Andrew Cox

Exploring the Dark Side of Life: Remains, edited by Andrew Cox

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Remains, issues 4 and 4. Cover art by Richard Wagner

There are readers who, like me, prefer dark fiction in short form, because their suspension of disbelief is too brief to sustain — with a few exceptions — a full novel.

For people like us here’s a real treat: the new magazine/anthology Remains, edited by Andy Cox and illustrated by Richard Wagner, both well known for their previous work with the mythical Black Static magazine.

The first two issues are already sold out, but volume 3 ( published in late 2025) and the brand new volume 4 are available to entertain and disquiet.

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Moon Pirates, Deadly Nanobots, and Alien Plagues: November-December Print Science Fiction Magazines

Moon Pirates, Deadly Nanobots, and Alien Plagues: November-December Print Science Fiction Magazines

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Summer 2025 issue of The Magazine of Fantasy & Science Fiction, and the
November/December issues of Analog Science Fiction & Fact and
Asimov’s Science Fiction. Cover art by John Jennings, Eldar Zakirov, and Shutterstock

It’s a bittersweet month for fans of print SF magazines. First the good news. For the first time since September 2024, there’s a full complement of science fiction magazines on the shelves. The Summer 2025 issue of The Magazine of Fantasy & Science Fiction is at last available, six months late and with an 18 month-gap since the last issue, but it’s here and we’re delighted to see it. Yes, the magazines that accompany it, Asimov’s SF and Analog, are also more than two months late, cover-dated November-December 2025 but not available until last week, but at this point we know better than to complain. We’re just grateful they’re here at all.

Now the bad news. And unfortunately, it’s bad indeed. Yesterday, January 12, the news spread that Sheila Williams, the brilliant and tireless editor of Asimov’s Science Fiction, had been hospitalized with a brain aneurysm. She is reportedly conscious, and communicating with family, and we hope and pray for her speedy recovery. In my opinion Sheila is the most important editor currently at work in genre magazines, and without her the field will be enormously diminished.

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Quatro-Decadal Review: Asimov’s Science Fiction, November 1999, edited by Gardner Dozois and Shelia Williams

Quatro-Decadal Review: Asimov’s Science Fiction, November 1999, edited by Gardner Dozois and Shelia Williams

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Interesting, but suspiciously CGI-like cover art by Jim Burns

Column: Reflections, Autographs, by Robert Silverberg

Silverberg spent the summer of ’99 signing copies of Dying Inside. 7,000 autographs — a novella in and of itself. He muses on autographs and people who collect them.

  • His future wife signed in ‘81
  • Silverberg quit the writing game in disgust in the 70’s. In ’75 at a con he asked near-immortal Jack Williamson for his autograph. “For Bob Silverberg, who used to write great SF — trusting he’ll do it again — with a vast admiration.” Just when you get out, they pull you back in!
  • Asimov who dedicated The Gods Themselves so exuberantly dedicated to Robert Silverberg that he asked him to remove it from future editions.
  • His favorite — a non-writing friend who playfully wrote in a paperback coy of Moby Dick. “Jerry had playfully added one little touch of improvement on the inside front cover, an inscription that read: To Bob with respect and admiration—Herman.”

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Quatro-Decadal Review: Analog Science Fiction and Fact, November 1999, edited by Stanley Schmidt

Quatro-Decadal Review: Analog Science Fiction and Fact, November 1999, edited by Stanley Schmidt

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Cover Art by Kim Poor

Editorial, Technological Temptation by Stanley Schmidt

Cameras at stop-lights, that is the issue that has rubbed Schmidt’s libertarian streak wrong. Very wrong! He soon spins a future of nanny-state-over-arching-safety-protocols.

I’m not an expert at the art of rhetoric and argument, but even I am immediately pick up on several logic holes, beginning with his fundamental argument, “That if it leads to a reduction in crime it must be good, therefore there should be more of it.” Thus, more cameras, cameras everywhere, in your home even! Then he wraps it up with a little of the ol’ argument from authority with the Ben Franklin chestnut about “They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety.”
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