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Category: Magazines

Into the Weird: Weird Times 1 — Architecture and Housing

Into the Weird: Weird Times 1 — Architecture and Housing

The first issue of Weird Tales went on sale in late February of 1923. It was cover-dated March, but that was a sell-by date. The issue would have arrived in stores on or about February 18, roughly a week before the first issue of Time magazine. In writing about early Weird Tales, I found it useful to think about that kind of context, and to look into that moment in history.

Partly that was because some aspect of a story would occasionally become clear once I understood specific terms or references or background. Mostly, though, I found an immersion in the time helped themes become clearer and habits of thought more obvious. In the hope that exercise might be useful for anyone else reading early Weird Tales or other fiction of the 1920s, I’ll be putting up a series of posts looking at different aspects of the era, reflecting on things I’ve learned or think I’ve learned. I hope these posts will also be useful as references I can link to in my reviews, rather than having to take the time to explain some 1920s-specific detail in a story.

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Dark Muse News: Mordschlag Sword and Sorcery Magazine

Dark Muse News: Mordschlag Sword and Sorcery Magazine

One of the most fun, unique aspects of Goodman Games’ Tales from the Magician’s Skull was the blending of Sword & Sorcery with Dungeon Crawl Classics statistics for the stories.  That’s a wonderful recipe that has not been reproduced, despite many super-cool S&S periodicals being available (Dark Moon Quarterly, Battleborn, New Edge S&S, Heroic Fantasy Quarterly, Swords and Sorcery Magazine, Savage Realms, Swords & Sorceries: Tales of Heroic Fantasy, etc. plus loads of anthologies).

Well, this Dark Muse News post has a Press Release for The Arcanist: Fantasy Publishing’s Backerkit campaign showcasing Mordschlag Magazine! Once again, S&S adventure and RPG gaming are combined. Every pocket-sized issue of Mordschlag promises new short fiction, an article analyzing the genre, and monster stat-blocks pulled straight from the tales and ready-to-play in ShadowDark RPG.

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Into the Weird: Weird Tales, March 1923 (Volume 1, Number 1) Part 1

Into the Weird: Weird Tales, March 1923 (Volume 1, Number 1) Part 1

Weird Tales March 1923. Cover by R. R. Epperly

The first issue of Weird Tales landed on newsstands in late February of 1923. 192 pages long, it measured about 6 inches by 9, a standard size for a pulp fiction magazine. There were two different versions of the cover, perhaps due to a printing error; the illustration’s the same, a man with knife and gun fighting a shadowy tentacled monster which has grabbed a nearby young lady, but the colouring’s different. Either way, the cover advertised “‘OOZE’ / An Extraordinary / Novelette / by Anthony M. Rud / The Tale of A / Thousand Thrills.” Perhaps most intriguing, though, was the subhead below the logo: “The Unique Magazine.”

Thanks to modern technology it’s possible for anyone with an internet connection to flip through issue 1 of Weird Tales, if in a virtual format. In a later post I’ll write about the fiction the issue holds, but today I want to consider the magazine as an object (to the extent that’s possible working from a PDF). What do we see as we page through it? What signs of its times stand out? And what can be deduced about the editorial team’s vision?

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Into the Weird: An Introduction

Into the Weird: An Introduction


Weird Tales
, December 1928, October 1933, and July 1944. Cover
art by Hugh Rankin, Margaret Brundage, and A. R. Tilburne

A bit more than 103 years ago, the first issue of Weird Tales reached newsstands across North America. The magazine would be published consistently for over three decades, with the title revived sporadically ever since. The original Weird Tales would become a significant influence on the development of the fantasy and horror genres, and would lend its name to a subgenre of fantasy and a certain tone in fiction: the weird tale.

That entire first run of Weird Tales, ‘the unique magazine,’ is available at the Internet Archive. I thought it’d be an interesting project to look at it issue by issue, reading the magazine as it was published and discussing each issue as a whole. It was the venue for much of the fiction of H.P. Lovecraft and Clark Ashton Smith and Robert E. Howard, as well as a home for work by Robert Bloch, C.L. Moore, and Ray Bradbury, among many others. I wondered what it would be like to read those stories in the context of the other tales in the magazine by lesser-known writers; and to consider each issue as a package, a collection, with its cover and editorials and letters. And its ads; to look at the magazine holistically is to consider the many irruptions of its era into the experience of the fiction.

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A Tragedy and a Comedy: Murder Must Advertise by Dorothy Sayers

A Tragedy and a Comedy: Murder Must Advertise by Dorothy Sayers


Murder Must Advertise (Pocket Books, 1940)

Mr. Tallboy’s eyes, roving negligently round, had fallen on Bredon’s index-card… Neatly printed on the card stood one word.

DEATH

In Murder Must Advertise, Dorothy Sayers takes murder mysteries in another new direction: not, this time, exploring an established subgenre, but hybridizing the mystery genre with what we would now call workplace drama, or sometimes workplace comedy. The setting is Pym’s Publicity, a successful advertising firm. Many incidents turn on problems in carrying out the work, friendships and tensions between staff members, and relationships with clients.

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Galaxy Science Fiction, April 1955: A Retro-Review

Galaxy Science Fiction, April 1955: A Retro-Review


Galaxy Science Fiction, April 1955. Cover by Ed Emshwiller

Who’s ready for another retro-review of Galaxy Science Fiction? (You are!) And here it is — the April, 1955 issue.

The intense cover is “Hostile Reception on Aldebaran” by Ed Emshwiller. I really like the seams in the gloves and the general aesthetics of the futuristic gun.

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Forgotten Authors: Leah Bodine Drake

Forgotten Authors: Leah Bodine Drake

Leah Bodine Drake

Leah Bodine Drake was born on December 22, 1904 in Chanute, Kansas to Thomas and Cornelia (née Bodine) Drake. Her father worked in the oil industry. Drake was sent to the Oakhurst School for Girls in Cincinnati and later attended Hamilton College, a junior college operated by Transylvania University, in Lexington, Kentucky as well as Sayre College in the same city.

Drake began publishing poetry in 1935 and is primarily known as a poet, although she also published some short fiction. From 1936-1937, She appeared as a Billy Rose dancer in the Fort Worth Centennial Exposition. Drake’s first published poem was “In the Shadows,” which appeared in the October 1935 issue of Weird Tales. The same issue of Weird Tales included the first of eight letters she had published in the magazine. Her letters indicated that she haunted used book stores searching for old back-issues of Weird Tales, which she said were rare and more expensive than other magazines. She would go on to publish nearly three dozen poems in the magazine.

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Dark Muse News: Blue Fire: A Jirel of Joiry Novella

Dark Muse News: Blue Fire: A Jirel of Joiry Novella

Blue Fire, a Jirel of Jory tale by Molly Tanzer (Brackenbury Books, 2026). Cover art by Saša Đurđević

In February 2025, Black Gate covered Molly Tanzer’s release of “Jirel Meets Death” (published with permission from Moore’s estate); and in March 2026 Black Gate’s Dark Muse News covered Tanzer’s next story, “Jirel in the Forest of Night.” These were brought to us by Brackenbury Books, the same outfit that champions New Edge Sword & Sorcery magazine.

And now, Dark Muse News (your biweekly Black Gate blog) has coverage of Brackenbury Books’ current campaign, bringing the first-ever Jirel of Joiry book-length adventure to life (crowdfunding launched June 11th, and is still ongoing).

Blue Fire begins with Jirel fighting a foe her sword cannot smite: a terrible illness nobody can explain, let alone heal. Her search for a cure takes her many miles across many worlds, encountering friends and foes familiar and frightening!

Like Alice in Wonderland with a big f***ing sword, Jirel has compelling adventures in bizarre dream-logic realms, balancing a rich emotional life with terrifying struggles against dark forces!  — boasts Brackenbury Books

Here ye, here ye. Read on to see:

  • A tour guide of the Jirel of Jory writings
  • Excerpts from Blue Fire
  • Special Perspectives from author Molly Tanzer, artist Saša Đurđević, and editor Oliver Brackenbury
  • Status updates on the campaign

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A (Black) Gat in the Hand – Words of Wisdom from Black Mask‘s Joe Shaw

A (Black) Gat in the Hand – Words of Wisdom from Black Mask‘s Joe Shaw

BlackMask_May1934EDITED“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I closed on a house a week ago Thursday and immediately began moving in, which is a long process for me. And I then had to go to Chicago for a work conference, doubling up my stress. So, today, you get an encore from season one of A (Black) Gat in the Hand. As a hardboiled fan, I find this essay from the legendary Black Mask editor, Joe ‘Cap’ Shaw. It offers his insights into writing for the Pulps. And it’s from an issue of Writer’s Digest, not Black Mask. I add some comments throughout. I think it’s a good read. 

The hardboiled school was born in the page of Black Mask Magazine under the editorship of George W. Sutton, with Carroll John Daly’s “Three Gun Terry” (which I wrote about here…) and “Kings of the Open Palm,” and Dashiell Hammett’s “Arson Plus,” appearing in 1923. In 1924, Sutton resigned and circulation editor Phil Cody replaced him.

Cody pushed for more stories featuring Race Williams and the Continental Op, encouraged Erle Stanley Gardner to develop Ed Jenkins (‘The Phantom Crook’), and added Frederick Nebel and Raoul Whitfield to the magazine. Cody was spread too thin managing multiple publications, and he handed the reins to Joseph Shaw, a former bayonet instructor in the Army and an unsuccessful writer with zero editorial experience (I mean, sure, why not?).

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Dark Muse News: Battleborn Magazine Issues 2 and 3

Dark Muse News: Battleborn Magazine Issues 2 and 3

[LEFT] Battleborn issue #1 (cover art by Samuel Dillon); [CENTER] Interior Art for “Jaguar’s Children” by Greg Mele (artist Babeto Daroz); [RIGHT] art for Lee Patton’s “Temple of the River King.”
Black Gate has covered the inception of Battleborn magazine as it spawned from an August 2025 crowdfunding on Indiegogo. Columnist and author Mark Rigney interviewed the champion and chief editor Sean CW Korsgaard over three segments: Part 1, Part 2, and Part 3.

Too much ground to recap here, but we can highlight that the goal of the magazine is to blend contemporary Sword & Sorcery with reprints of classics (beyond Robert E. Howard, there will be Michael Shea, David Drake, and even more….that we ‘kane’t’ wait to share the identities of!)

Sean CW Korsgaard is not to be confused with the Commander of Battleborn Magazine. This character is akin to the Skull from Tales from the Magician’s Skull, and he is as rough as the skeletal icon, but perhaps a bit easier on his interns. The Commander has provided his sacred guidance below.

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