Black Gate

Asimov’s Science Fiction, January/February and November/December 2024.
Cover art by Maurizio Manzieri and John Sumrow

Here’s a look at a few of the finalists for the 2024 Asimov’s Readers Award, voted on by readers and given to the most popular stories from Asimov’s Science Fiction the previous year. (Read each of the stories at the Asimov’s website by clicking on the titles below.)

“Wildest Skies,” a Novella by Sean Monaghan

From Asimov’s Science Fiction, November-December 2024

The title suggests a much wilder adventure than the somewhat cozy, but satisfying, one we get. Ed Linklater is the sole survivor of a missile strike that destroys his ship while surveying the planet Dashell IV. He is able to land safely on the Earth-like planet and is eventually befriended by a ten-eyed alien he calls Casper.

After living with Casper’s tribe for some time, he is led to a strange complex of stone structures, where he meets Barnaby, a fellow human who has survived another crash, sixteen years earlier. Barnaby’s only companion is Erica, who is immobilized and partly merged with an AI.

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Battleborn is an upcoming action-packed sword and sorcery magazine curated by Sean CW Korsgaard and published by IronAge Media. Read this to learn the scope of this supercharged magazine, the crowdfunding campaign needed to make it a reality (Indiegogo Aug 1st!), and learn Black Gate Exclusive scoops!

As an editor at Baen, Sean CW Korsgaard championed the Hanuvar series, and was mentored by the author, the late Howard Andrew Jones.  Sean CW Korsgaard states that Battleborn is emulating Howard’s run on Tales from the Magician’s Skull, both in style and in terms of authors and artists tapped. The magazine will feature a new Hanuvar tale from the late author, and from first issue to last issue, this will be on the masthead: “Howard Andrew Jones – Editor Emeritus.”

Expect:

• Contemporary authors
• Classic reprints
• And, perhaps adding to a Heavy Metal flair, each issue will have a short comic crafted by Schyler Hernstrom.
• If all stretch goals are met, they will have room for 20k words more per issue… which WILL be open to submissions.

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July-August 2025 issues of Analog Science Fiction & Fact and Asimov’s Science
Fiction. Cover art by GrandeDuc/Shutterstock, and Maurizio Manzieri

Back in February the last surviving print science fiction magazines, Analog, Asimov’s Science Fiction, and The Magazine of Fantasy & Science Fiction, were sold to Must Read Books, a new publisher backed by a small group of genre fans. I was apprehensive about what that meant for all three magazines, and indeed there were several hiccups, especially related to distribution. I had to wait more than a month after the on-sale dates for the July/August issues of Asimov’s SF and Analog to show up at my local bookstore, for example. But show up they did, and in fact the new September/October issues seem to be arriving more or less on time. Now if only we could see a new issue of F&SF…

The July/August issues are just as enticing as usual, with contributions from Rich Larson, David Gerrold, Suzanne Palmer, Dominica Phetteplace, Stephen Case, Robert Reed, Tobias S. Buckell, Derek Künsken, William Preston, Lavie Tidhar, Mary Soon Lee, Shane Tourtelotte, M. Ian Bell, Sean Monaghan, and many more.

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Galaxy, March 1955. Cover by Mel Hunter

It’s time for another exciting Galaxy Science Fiction review!  The March, 1955 issue contains stories by some of Galaxy’s best authors — Simak, Pohl, and Sturgeon.  I know I’ve been away for a while, so let’s dive in.

The cover, “Hold Still, Dammit!” is by Mel Hunter.  Hunter was very interested in aviation and also worked as a technical illustrator at Northrop Aircraft.

“Project Mastodon” by Clifford D. Simak — Three men work together to create a time machine and go about 150,000 years into the past.  They set up a camp and plan to establish their own land they could lease out to tourists or movie producers — if they can be recognized as a sovereign nation.  They account for differences in terrain by using a helicopter that contains the time machine. But when a raging mastodon charges into their camp, their helicopter is destroyed, leaving them stranded in the past unless they can figure out a way to account for the terrain differences in the future so they don’t emerge in mid-air or buried underground.

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The Alien Critic Number Seven, November 1973. Published and edited by Richard E. Geis. I subscribed to TAC the following year after reading Geis’s column in IF.

Geis really had the juice back then — this issue includes Frederik Pohl, John Brunner, Roger Zelazny, Damon Knight, Poul Anderson, Robert Bloch, Miriam Allen de Ford, Ross Rocklynne, “James Tiptree, Jr.,” and others — including a letter from Harlan Ellison that lists the then-current contents of The Last Dangerous Visions. Seriously.

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May-June 2025 issues of Analog Science Fiction & Fact and Asimov’s Science
Fiction. Cover art by Tithi Luadthong/Shutterstock, and IG Digital Arts & Annie Spratt

Back in February I was surprised to learn that the last surviving print science fiction magazines, Analog, Asimov’s Science Fiction, and The Magazine of Fantasy & Science Fiction, had all been sold to Must Read Books, a new publisher backed by a small group of genre fiction fans. I was very sad to see Analog & Asimov’s leave the safe harbor of Penny Press, where they’ve both sheltered safely for very nearly three decades as the magazine publishing biz underwent upheaval after upheaval.

But I was nonetheless cautiously optimistic. The magazines couldn’t continue to survive as they were, with 25+ years of slowly declining circulation — and indeed F&SF, while it claims to be an ongoing concern, has not published a new issue in nearly a year.

But after four months, that optimism is rapidly fading. The first issues from Must Read, the May-June Analog and Asimov’s, technically on sale April 8 – June 8, have yet to appear on the shelves at any of my local bookstores, and there’s been no word at all at when we can expect the July-August issues, scheduled to go on sale today. And there’s no whisper of when we might expect to see a new issue of F&SF at all.

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