File this one in the “Why the F?” folder.
Bambi: The Reckoning is a British indie horror flick directed by Dan Allen and written by Rhys Warrington. It marks the fourth disturbing entry in The Twisted Childhood Universe (TCU), which brought us Winnie-the-Pooh: Blood and Honey and is now turning Felix Salten’s beloved deer into a forest-dwelling force of vengeance.
The Brits must really hate us.
One of the most entertaining aspects of working for Black Gate is hitting the road with Photog Chris Z to cover horror-themed events in the Midwest. Though many people think about Halloween during the fall months, there is an enormous subculture of vendors, artists, and fans for whom the spooky season never ends. This year, Chicago was not only the site of an entirely new show just for this audience but also the first city to host it—and we had a front-row seat on opening night.
GalaxyCon, LLC, founded in 2006 by Mike Broder and based in Fort Lauderdale, Florida, is one of the leading organizers of pop culture conventions in the United States. Initially focused on comic books, anime, and broader fan engagement, GalaxyCon has successfully expanded its portfolio to include horror-themed entertainment with its Nightmare Weekend series.
The only thing I like better than blowing a whole day playing video games, is playing retro video games. Of course I love movie-quality HD graphics, but little pixelated Lego-people give me a case of the warm fuzzies. I did some digging and discovered I’m far from alone. The global retro gaming market has experienced significant growth in recent years. For instance, the NES Classic Edition sold 2.3 million units in less than a year, and the SNES Classic Edition surpassed 5 million units globally. The Sega Genesis Mini also exceeded 1 million units sold worldwide in its first year. Additionally, the arcade gaming sector, closely tied to retro gaming, was valued at $19.0 billion in 2023.
But when I think of one of my favorite retailers crossing over into retro-gaming, I most definitely get the fan girl squees.
Spirit Halloween, the annual haunt-headquarters that pops up every fall in the unused strip mall space near you, has just announced Haunted: Halloween ’86 – Spirit Edition, a pixelated plunge into Halloween nostalgia brought to you by Retrotainment Games.
It’s been a while since we’ve had the chance to bring you a brand-new convention offering, and in 2025 we’re bringing you two. First up is one of the biggest celebrations of all things spooky, creepy, and downright chilling heading to Chicago for the first time this May. GalaxyCon, the powerhouse of fan events, is bringing its first-ever Nightmare Weekend to the Donald E. Stephens Convention Center in Rosemont, Illinois, from May 2-4, 2025 — and it’s shaping up to be an unforgettable fright fest.
“We’re thrilled to deliver our unique fan experience to Chicago,” says Mike Broder, GalaxyCon’s founder and president. “Our events have brought millions to local economies, and we can’t wait to make a positive impact in this area too.”
Translation? A weekend of scares and a boost to local businesses. Win-win!
One of the best parts of my Black Gate side hustle is the cool people we get to meet, and there’s nothing more exciting than connecting with those who are most definitely “our people.” I am embarrassed to admit that the Fall Days of the Dead show in Chicago last November was my first encounter with the geniuses behind the podcast They Mostly Pod Out at Night, Mostly, who go by the monikers Graveyard and Salem. And after all, who doesn’t love an Aliens reference?
They Mostly Pod Out at Night, Mostly is a weekly podcast dedicated to all things horror. Each episode features in-depth discussions, covering a range of topics from classic and contemporary horror films to broader themes within the genre. The hosts provide insightful analysis, engaging reviews, and lively conversations that appeal to both casual viewers and die-hard horror enthusiasts. Their passion for horror is on full display as they explore the intricacies of various movies, offering listeners a comprehensive understanding of the genre’s evolution and impact.
Since meeting them in November I’ve become a regular listener, discovering yet another dark and intriguing corner of the horror subculture, and last night I had the honor of being a guest.
Around this time every year, Black Gate photog Chris Z and I pack up the car for the 10-hour-round-trip from Chicago to St. Louis to attend the TransWorld Haunted Attractions Show. This event not only kicks off the spooky season for the new year but never fails to produce at least one memorable adventure. From Fireball shots to epic snowstorms, to celebrity encounters, I can always count on our annual road trip to produce stories that will easily carry me through a year’s worth of cocktail-party small talk.
This year was no exception.
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John Carpenter’s Tales of Science Fiction: Vault (June 2018), Vortex
(October 2018), and issue #1 of Pause (February 26, 2025
Storm King Comics was founded in 2012 by legendary filmmaker John Carpenter and his wife of thirty-five years, producer Sandy King. Together, they are known for delivering stories of horror, science fiction, and the supernatural, with series like John Carpenter’s Tales of Science Fiction and John Carpenter’s Tales for a HalloweeNight. Combining Carpenter’s cinematic style with the visual storytelling of comics, Storm King Comics offers fans immersive experiences that have cemented its reputation in the comic book industry.
I was first introduced to Storm King Comics by the grand dame herself, Sandy King, when I met her in 2016 at C2E2. Since then, I have collected all the issues from Tales for a HalloweeNight as well as Asylum which was my first exposure to the great stories that come out of Storm King. And though I am not a sci-fi girl strictly speaking, I love a good crossover, which this week’s launch seems to be.
For a bit of background, John Carpenter’s Tales of Science Fiction launched in 2018 with its inaugural story Vault, telling the tale of a moon-bound crew who discover an alien vessel with English markings. Since that time there have been eleven total installments and this week the series returns with installment twelve, entitled Pause.
Here’s what you have to look forward to…
Okay, strictly speaking, this topic doesn’t fall into a standard (notice I didn’t say “normal”) Goth Chick category. But bear with me for a short story.
A long time ago in a small midwestern town far, far away, I experienced my first hardcore crush. The subject in question was not only tantalizingly a few years older than me but he was decidedly gothy in a dark-warrior kind of way. Therefore, in my youthful opinion, he was perfection on two feet. That same year as I was sitting cross-legged on the floor of my local bookstore my eyes fell on an issue of Heavy Metal magazine where low and behold was my crush, or someone who looked darn close, personified in all his brooding magicalness, right there on the cover. That day my allowance went to my first issue of Heavy Metal and though I was a rabid fan for years afterward, I admittedly became hit and miss, buying only sporadic issues throughout the 2000’s.
Heavy Metal magazine, which had been in constant publication since 1977, printed its last issue in 2022 after a series of attempts to keep it viable, and an era came to an end.
Until now.
Last week’s article on Angel Heart not only resulted in a lot of fun and insightful comments from all of you, but it got me thinking about another film that I appreciate in a similar way. It will be twenty-six years old next month and having given it a re-watch last weekend, I wondered what your thoughts would be on this one.
The Ninth Gate, directed by Roman Polanski and starring Johnny Depp, was released in March 1999. Polanski was co-writer on the screenplay which was loosely (and I do mean loosely) adapted from the book, The Club Dumas (1993) by Arturo Pérez-Reverte.
This is how my brain works sometimes.
This week Deadline reported that Robert De Niro will be starring in an upcoming crime drama for Netflix called The Whisper Man based on a novel by the same name. That made me think that when I last saw De Niro, the dude looked pretty old, and that starring in a multi-installment series for Netflix would be pretty taxing. That led me to IMDB to find out how old he really is (De Niro is 81), which resulted in going down the rabbit hole of his incredible career, which led me to Angel Heart (1987).
I had all but forgotten about this film, but the minute I read the name all this controversial stuff about it started resurfacing in my mind. Honestly, I couldn’t recall if Angel Heart was really all that controversial, or if I remembered it wrong and naturally this resulted in a lost afternoon reading everything about it I could get my hands on.
So, here we are and yes, the movie was steeped in controversy.