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Cimmerian September: Five Things I Think I Think – REH Edition

Cimmerian September: Five Things I Think I Think – REH Edition

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Welcome back to the final week of Cimmerian September. I realized that I’ve never done a Ten Things I Think I Think for REH. Now THAT seems remiss of me. So, we’ll ease into that with Five Things.

1) CONAN IS A ROGUE

Of course, “Rogues in the House” (which I wrote about for Hither Came Conan) is a favorite story among fans. It’s right there in the name. I’ve been re-reading some Solomon Kane lately, and I revisited El Borak last month. Those two are honorable men, fighting for justice, or nation, or to vanquish evil. Conan has his barbarian’s sense of honor. But he’s after wine, women, and money. He does ‘noble’ things, but that’s not what’s driving him. He’s a lusty sword swinger out for an adventurous life.

Sometimes I see the makings of a Conan story while I’m reading Kane and El Borak. But the character motivation is usually different. Doesn’t make it better or worse, but it does make the heroes different.

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Cimmerian September – Conan and The Lost Valley of Iskander

Cimmerian September – Conan and The Lost Valley of Iskander

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Welcome back to week three of Cimmerian September.

Now, El Borak rivals Conan for my favorite REH character. I REALLY enjoy those stories. And I like Kirby O’Donnell, and I’ve covered those three tales, here at Black Gate. “Sword of the Hills”/”The Lost Valley of Iskander” is one of my favorites. It’s more like a Conan tale than any of the others. In fact, back in the days before Heroic Signatures started pushing out lots of new pastiches (some good, some less so), I started turning “Lost Valley…” into a Conan pastiche.

It was just for fun, whereas I’ve been very serious about my Sherlock Holmes, Solar Pons, and Nero Wolfe fiction. But if I were going to ‘do Conan,’ it would be with this story. Here’s the opening, which mirrors the El Borak original. 

Whatever you may think of this fragment, you absolutely should check out El Borak, if you haven’t. Dave Hardy wrote a killer essay about ‘The Swift’ for Discovering Robert E. Howard (he also wrote the Del Rey intro). So, read on!

The skittering of a stone broke the stillness and instantly awoke Conan, sleeping in the shadows of a rocky crag. With almost inhuman quickness, his right arm shot up and grasped a wiry wrist, halting the descent of a curved knife that glinted not in the starless sky. Corded muscles flexed, and the newcomer hissed between his teeth as he struggled in vain to push the knife through to its destination. The attacker’s weight held the Cimmerian on his back, but Conan brought his left hand up in a fist and smashed it into the side of his attacker’s head, barely noticeable pain bursting through his knuckles as they connected with the man’s skull.

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By Crom, It’s Cimmerian September: The Birth of Conan Scholarship

By Crom, It’s Cimmerian September: The Birth of Conan Scholarship

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We’re back for week two of Cimmerian September. Hopefully you saw last week’s post on Marvel’s King Conan comic, which I read for the very first time, to write about. Having read three, it definitely ranks below the two long-running series’ it followed: The Savage Sword of Conan, and Conan the Barbarian, for me.

Some of you know I had a hand in Hither Came Conan, from Rogue Blades Foundation. It is a SUPERB collection of essays on the original Conan stories, from a veritable Hall of Fame of Robert E. Howard scholars and fans. You read some of the essays in the book here at Black Gate, first. Jason Waltz expanded it greatly, incorporating the terrific blog series done by the late, terribly missed, Howard Andrew Jones, and Bill Ward. he also commissioned some new essays, never seen before. I penned a few new ones, including a look at the foundation stone of Conan scholarship.

I came to the REH world from the Sherlock Holmes universe, where writings about Holmes (and Arthur Conan Doyle) probably exceed that of any other fictional character. I certainly contributed my share. As Christopher Morley famously said, “Never have so many written so much about so little.” I brought that Sherlockiana feel to the works of Two Gun Bob. You can find links to all my pieces here at Black Gate, at the end of this article.

But first, read the last essay from Hither Came Conan: REH, Two Fans, and the Birth of Conan Scholarship. 

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By Crom, It’s Cimmerian September: Marvel Does King Conan

By Crom, It’s Cimmerian September: Marvel Does King Conan

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Even as another Summer of A (Black) Gat in the Hand ran in my Monday morning slot (nine years now!), I’ve been spending a lot of time in Nero Wolfe’s Brownstone on West 35th Street, in Manhattan. But I didn’t feel like I could miss out on Cimmerian September. A few of you may recall that last year I joined in the month-long celebration of Robert E. Howard’s mighty-thewed sword slinger.

Later this month I will be on the third and final Solomon Kane Youtube panel by the Robert E. Howard Foundation (here’s the first one). So, getting my REH on this month.

I’ve said that I came late to REH. I was in my forties and my young son would play with the wooden train sets in the kids playroom at Barnes and Noble. One day I picked up the first Del Rey Conan and read it for a bit. I ended up getting it later. And Robert E. Howard would ascend the ranks to surpass all my other favorite writers, with the exception of John D. MacDonald.

My buddy Howard Andrew Jones would stick a verbal elbow in my ribs that I was a rookie sword and sorcery fan, and never changed that opinion, as I still hadn’t shown any interest in C.L. Moore’s Jirel of Joiry (hey – I’m interested in what I’m interested in). But I made up a lot of Conan ground (I had read Moorcock and Leiber by junior high), and I can hold my own in the REH room now.

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Neverwhens: World Building in a Shared Universe– Cormac Mac Art and The Isle of Swords

Neverwhens: World Building in a Shared Universe– Cormac Mac Art and The Isle of Swords

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Cormac Mac Art: Isle of Swords, by Matthew John (Titan Books, July 28, 2026). Cover uncredited

When Titan and Heroic Signatures announced they were bringing back Robert E. Howard pastiche, not just of Conan, but of many others of his rich panoply of heroes, I sacrificed many a reading night to take a deep-dive into the first year’s worth of stories, and chronicled the results at Black Gate. You can read about that descent into Cosmic Pastiche Horror here.

The truth was that, like most pastiche — assuming one excepts the value of pastiche at all — the results were mixed. Most was admirable attempts by authors who clearly had fond memories of REH, but didn’t really remember what made HIS fiction (not their memories of it, not their memories of it via Marvel comics, film, or even other pastiche) work. A few, namely the work by Scott Oden, John C. Hocking and James Lovegrove, “got” the characters they were writing (Oden can even sound like Howard), while an equal number could only be called… well… not worth the paper they weren’t printed on.

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David C. Smith & Robert E. Howard, Part Two: Red Sonja

David C. Smith & Robert E. Howard, Part Two: Red Sonja

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Red Sonja by David C. Smith and Richard L. Tierney (Ace Books, December 1981 – May 1983). Covers by Boris Vallejo

In addition to his Black Vulmea and Bran Mak Morn stories, David C. Smith collaborated with Richard L. Tierney (1936 –2022) on six novels in a series about Red Sonja. Though often described as Robert E. Howard pastiches, that label is not completely accurate. Red Sonja (spelled with a J), is not a Howard character, although she is based on a couple of female swordslingers Howard did create, particularly — it seems to me — on Valeria, from the Conan story “Red Nails.” (A very similar character named Valeria appeared in the first Conan movie — Conan the Barbarian.)

Howard did create a character named Red Sonya (spelled with a “y”), who appeared as a secondary character in one historical tale — “The Shadow of the Vulture,” from the collection Sowers of the Thunder. She had red hair instead of blonde like Valeria, but otherwise is less reminiscent of Red Sonja than is Valeria.

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Richard Stark’s Parker, Part 2: Parker the Barbarian!

Richard Stark’s Parker, Part 2: Parker the Barbarian!

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Richard Stark’s Parker by Darwyn Cooke

Last time we discussed the character of Parker, Donald E. Westlake’s master thief and heist planner.

This time, we’ll look at why we’re talking about Parker at all, here in the hallowed spaces of this fine magazine.

Parker might seem like an odd fit. Allow me, however, to draw some parallels that will help to illustrate how and why the master criminal Parker fits in with classic sword and sorcery characters like Conan the Barbarian. For these two gentlemen have far more in common than one might guess.

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The Epic Science Fiction & Fantasy of Poul Anderson, Part Three: The Broken Sword, Hrolf Kraki’s Saga, and Conan

The Epic Science Fiction & Fantasy of Poul Anderson, Part Three: The Broken Sword, Hrolf Kraki’s Saga, and Conan

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The Broken Sword (Ballantine Adult Fantasy #24, January 1971). Cover by George Barr

Read Part One and Part Two of this article here at Black Gate.

The Broken Sword is arguably the best book Anderson ever wrote, and it was the “first” novel length fantasy he published. It mixes High Fantasy and Sword & Sorcery. The High Fantasy comes because of its setting in the land of Faerie, which is part of our world but invisible to most humans, and the fact that most major characters are elves and trolls. However, there is also a lot of the good bloody action that characterizes S&S.

The Broken Sword is set in the Ninth century A.D., in Alfred the Great’s time (849-899). It was published in 1954 and revised in 1971. The story is of Skafloc, a human child stolen and raised by elves, and of Valgard, the half-elf/half-troll who replaces Skafloc as a changeling. It also involves Skafloc’s sister, who unknowingly falls in love with Skafloc, which, of course, ends in tragedy.

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The Enduring Legacy of Jack Kirby: Kamandi, Fantastic Four, Conan, and Much More

The Enduring Legacy of Jack Kirby: Kamandi, Fantastic Four, Conan, and Much More

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Kamandi, The Last Boy on Earth by Jack Kirby (DC Comics,
October 1972 and February 1973). Covers by Jack Kirby

Kamandi, The Last Boy on Earth, written and illustrated by Jack “King” Kirby (1917-1994), has long been an inspiration to my creative works. The tone, the setting, the characters and creatures — pure brilliance. Highly recommended.

Kamandi #16 is a fascinating issue. An ape doctor who encounters Kamandi knows of Cortexin, the chemical which stimulated evolution and intelligence in animals and turned them into parahumans. The Last Boy on Earth discovers more about the post-cataclysmic Earth, in which men have devolved to beasts, and beasts have evolved to higher intelligence.

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Another Classic Sword & Sorcery Anthology: The Barbarian Swordsmen, edited by Sean Richards (AKA Peter Haining)

Another Classic Sword & Sorcery Anthology: The Barbarian Swordsmen, edited by Sean Richards (AKA Peter Haining)

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The Barbarian Swordsmen (Star, 1981). Cover by Gino D’Achille

The Barbarian Swordsmen, edited by Sean Richards, Star publishers, a British press, 1981, cool cover by Gino D’Achille. A collection of Sword & Sorcery (S&S) tales that likely wouldn’t exist except for Robert E. Howard.

I couldn’t find out much about Mr. Richards but Toby Hooper revealed to me that Richards has been reported as a pseudonym for Peter Haining and that appears to be true. His intro here doesn’t reveal anything.

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