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Category: Conan

Marvel’s Conan The Barbarian

Marvel’s Conan The Barbarian


Conan the Barbarian #4 & 5, by Roy Thomas and Barry Barry Windsor-Smith
(Marvel Comics, April and May 1971). Covers by Barry Windsor-Smith

I don’t systematically collect comic book materials but I pick up Edgar Rice Burroughs or Robert E. Howard related stuff when I see it. Found all three of the Marvel paperbacks above at various book sales.

Conan the Barbarian: The Official Marvel Comics Adaptation of the Movie stayed true to the movie plot. Being a Howard purist, I wasn’t a big fan of the movie when it came out, but it’s grown on me over time. I just don’t really think of it as a Howard Conan movie. Earl Norem did the cover for this one, based on movie images.

The Stan Lee Presents Conan volumes are in color. I don’t have Volume 1 and likely won’t be getting it since it lists at 250 bucks on Amazon, but here are 2 and 3, which I bought for a buck or so. Both were written by Roy Thomas (1940 – ) and drawn by Barry Windsor-Smith (1949 – ).

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Classics of Sword & Sorcery: Echoes of Valor, edited by Karl Edward Wagner

Classics of Sword & Sorcery: Echoes of Valor, edited by Karl Edward Wagner

Paperback editions of all three volumes of Echoes of Valor, edited by Karl Edward Wagner (Tor Books, February 1987, February 1991, and September 1991). Covers by Ken Kelly, Rick Berry, and Rick Berry

The three book Echoes of Valor anthology series from TOR was edited by Karl Edward Wagner, who wrote excellent Sword & Sorcery tales himself, and could recognize good ones when he saw them. These were not anthologies of new stories, but reprints. Each contained a Robert E. Howard tale. Here are some capsule reviews.

Echoes of Valor (1987, Cover Ken Kelly)

Contains one story each by Robert E. Howard, Fritz Leiber, and Henry Kuttner. Howard’s story is “The Black Stranger.” It’s a Conan tale but wasn’t published in REH’s lifetime. He rewrote it as a pirate tale featuring Black Vulmea called “Swords of the Red Brotherhood.” It still didn’t sell. Long after Howard’s death, L. Sprague de Camp rewrote it as “The Treasure of Tranicos” and it was published. It didn’t really need the rewrite in my opinion, so who knows why it wasn’t published initially.

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Dark Muse News: Reviewing Conan – Spawn of the Serpent God by Tim Waggoner

Dark Muse News: Reviewing Conan – Spawn of the Serpent God by Tim Waggoner


Conan: Spawn of the Serpent God by Tim Waggoner (Titan Books, October 28, 2025). Cover artist unknown

Titan Books is on a roll, publishing Conan novels in quick succession: S. M. Stirling’s Blood of the Serpent (2022), John C. Hocking’s City of the Dead (2024), James Lovegrove’s Cult of the Obsidian Moon (2024), Tim Lebbon’s Songs of the Slain (2025), and Tim Waggoner’s Spawn of the Serpent God (2025).  And their 2026 schedule promises more with John Langan’s The Brides of Crom.

Here we delve into Tim Waggoner’s Spawn of the Serpent God. He’s a Bram Stoker Award-winning author known for horror and media tie-in fiction. Recently, he was honored for his Terrifier #2: The Official Movie Novelization with a Scribe Award for Best Adapted Novel from the International Association of Media Tie-in Writers. With approval from movie writer and director Damien Leone, Waggoner had doubled the size of the hack-and-slash script by adding lore and characterization (I plan to interview Tim Waggoner about this for Black Gate‘s Beauty in Weird/Horror series). Anyway, Waggoner’s knack for tie-ins and deepening characters is demonstrated again in Conan: Spawn of the Serpent as he highlights the dangers of Zamora.

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The Conan novels of John Maddox Roberts

The Conan novels of John Maddox Roberts

The Conan novels of John Maddox Roberts (Tor Books, 1985-1995). Covers by Boris, Ken Kelly, and Julie Bell

The name John Maddox Roberts (1947 – ) first came to my attention as a writer of Conan sword & sorcery pastiches from Tor. He wrote eight, and when I talk to other REH fans Roberts’ name is almost always listed near the top of the Conan pastiche writers.

Of the pastiches that were published by Tor between 1982 and 2004, I’d have to agree, although I like the earlier pastiches by Andy Offutt and Karl Edward Wagner better.

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The Best of Bob: 2025

The Best of Bob: 2025

Happy 2026! Let’s kick butt for another year. Or at least, limp to the finish in 52 weeks. I really enjoy ‘meeting’ with my friends – and some strangers – here at Black Gate every Monday morning. Keep checking in, and let’s keep the discourse going on things we love. Or at least that catches our eye. Black Gate really is a family. My time writing here has almost been longer than my marriage was!

I continued to evade the Firewall at Black Gate (no, I do not earn a cent a word every time I mention ‘Black Gate.’ like some kind of blogging Pulpster), so I showed up every Monday morning. I had a much harder time conning other folks into writing my column for me – they’re catching on. Drat! So, I had to do my own work this past year.

Here are what I thought were ten of my better efforts in 2025. Hopefully you saw them back when I first posted them. But if not, maybe you’ll check out a few now. Ranking them seemed a bit egotistical, so they’re in chronological order. Let’s go!

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The Sword and Planet of Andrew J. Offutt, Part II

The Sword and Planet of Andrew J. Offutt, Part II


Messenger of Zhuvastou (Berkley Medallion, March 1973). Cover by Jeff Jones

Part I of The Sword and Planet of Andrew J. Offutt is here.

I’ve read two unabashed Sword & Planet novels from Andrew J. Offutt, Messenger of Zhuvastou, and Chieftain of Andor. I thought I had a sequel to the Andor book in my TBR piles but on closer examination it’s the same book with a different title: Clansman of Andor.

Messenger of Zhuvastou features an Earthman named Moris Keniston, the son of a Senator, although this is on a future Earth where humans have begun to spread to the stars. He heads for a primitive, barbaric world called Hellene in search of Elaine Dixon, a woman he is in love with who has been taken there — either voluntarily or involuntarily. Since the planet is supposed to be left undisturbed by galactic civilization, Moris undergoes plastic surgery to make him fit in with the humanoid natives. We already know he has been an Olympic level athlete and is a trained fencer.

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The Fantastic Art of Boris Vallejo, Part II

The Fantastic Art of Boris Vallejo, Part II


I Am a Barbarian by Edgar Rice Burrough (Ace Books, September 1975). Cover by Boris Vallejo

The Fantastic Art of Boris Vallejo , which I discussed in my post last week, contains three more paintings that became paperback covers that I own and well remember, although none of these are Sword & Planet covers.

First up we have I Am a Barbarian by Edgar Rice Burroughs, from Ace Books. If you discount his westerns, this is one of only two historical novels ERB wrote, the other being The Outlaw of Torn. Torn is my favorite of ERB’s standalone novels but Barbarian also ranks up there.

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The Battleborn Interviews: the Final Chapter!

The Battleborn Interviews: the Final Chapter!

Having returned the Eye of Rhynn and the Hand of Kwll to their rightful (quite frightening) owners, Sean CW Korsgaard and I sat down to conclude our Sword & Sorcery chat, and to focus once more on his upcoming magazine Battleborn. Thanks to a successful Indiegogo campaign, Issues One and Two are now fully funded, both digital and print.

Read Part One of the interview here, and Part Two here.


Battleborn is positioning itself as a sword & sorcery outlet. Speaking both as editor and fan, how is that different from epic or high fantasy? What elements or touches make a story S&S?

What makes the sword-and-sorcery subgenre are a combination of five factors. First up, the Protagonist. Unlike, for example, epic fantasy, which have large casts or changing points of view, a work of S&S typically follows a single protagonist, or the odd duo. I say protagonist instead of hero for a reason –– many of these characters are rogues, mercenaries, rebels, savages, and scoundrels, if not antiheroes or outright villainous. They are often underdogs or outsiders, and often on the road or far from home, akin to lone gunslingers of American westerns and the wandering samurai of Japanese folklore.

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By Crom, It’s Cimmerian September: A Plethora of Pastiches! In 2 Paragraphs Each

By Crom, It’s Cimmerian September: A Plethora of Pastiches! In 2 Paragraphs Each

And we are wrapping up Cimmerian September. Which I think will be an annul thing here at Black Gate. Maybe I’ll do a broader Robert E. Howard month around his birth (January) or death (June). But it’s more Conan this week.

If you’re a regular here, you know that I post almost exclusively positive stuff. You can go anywhere on social media for negative stuff. I like to share things I like – with people who wanna comment on it sometimes. It’s cool.

A notable exception is that festering pile of garbage that was Max Landi’s Dirk Gently TV series. Sometimes you gotta call a spade a spade.

I’m gonna give some thoughts on twenty different Conan pastiches from over the years. And some aren’t good. So, not all happy stuff here. But I think a legitimate opinion is worthwhile. Even mine…

Not ranking them, but listing them in alphabetical order by author. I’ll give some info on the story in the first paragraph, and a very short review in the second. I’ve done in-depth reviews here at Black Gate. These are just light looks at a bunch of Conan stories, to put them on your radar. Hopefully, you’ll find this post useful.

There are others I haven’t read at all,

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The Battleborn Interview: Part Two

The Battleborn Interview: Part Two

Having beaten back the kobolds (see Part One of this interview, here at Black Gate), Sean CW Korsgaard sat down again to talk Sword & Sorcery, and his editorial vision for Battleborn, his upcoming magazine.

With your editor hat firmly on, what’s something you nearly always respond to positively? Heroic animal companions? A romantic sub-plot? A surfeit of halberds? 

Given Battleborn‘s approach to sword-and-sorcery, it should surprise nobody that memorable characters and authentic, hard-hitting action scenes are right above home plate for me.

For characters, you follow in the traditions of heroes like Conan, Fafhrd and the Grey Mouser, Elric, Kane, Hanuvar, and more. So, even as you plot out your story, every detail you give your lead character matters. Are they distinctive in your mind’s eye? Do they have a few details that make them stand out, not only in the story, but as they stand beside a century of sword-and-sorcery heroes? Do you have an arc for them planned? Do you have some ideas for sequel stories where we follow that arc?

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