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A (Black) Gat in the Hand: T.T. Flynn’s PI-Like Horse Bookie, Mr. Maddox, Volume III

A (Black) Gat in the Hand: T.T. Flynn’s PI-Like Horse Bookie, Mr. Maddox, Volume III

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Pulp Fest took place this past weekend in Pittsburgh. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its summer line at this event. And for the third year in a row, there was a new Continental Op collection, with a brand new intro by yours truly. Getting to write about Dashiell Hammett remains a definite thrill. This volume wrapped up his pre-Cap Shaw career.

The talented Duane Spurlock wrote about T.T. Flynn’s Westerns a few Summers past. I’m a fan of those stories, and Duane did a better job covering them than I could have. I did write a Steeger Books intro for a Flynn book, though. Mr. Maddox is a bookie who makes the rounds of the horse racing circuit. And he finds dead bodies and crimes like Jessica Fletcher. I have the first two volumes of these novella length stories, and I wrote the intro for the third. So, here you go!

 

Thomas Theodore (better known as T. T.) Flynn Jr. began selling Westerns to the pulps early in 1932. Dime Western began its run, covering more than 250 issues over thirty years, with a T. T. Flynn story in the very first issue that December. Less than a year later, Star Western launched, with Flynn’s “Hell’s Half Acre” featured on the cover. He continued writing popular Westerns into the fifties, and he survived the demise of the Pulps by transitioning to Western paperbacks. His lone story to make The Saturday Evening Post became the popular James Stewart movie, The Man from Laramie.

But before roaming the pages of the Old West, Flynn was an accomplished mystery and hardboiled pulpster. The venerable Flynn’s (no relation), which ran for over 600 issues under multiple names, was less than a year old when his second story appeared in August of 1925. Three consecutive issues in December of that year included Flynn’s stories.

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What I’ve Been Watching: August 2025

What I’ve Been Watching: August 2025

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“Hey!” (you say to yourself). “I wonder what Bob has been watching? It’s been since May. Well, dear reader, I can’t leave you unfocused on our Monday work day, so let’s take a look, shall we? And – Gasp! – it’s all current stuff. How about that? And this is all spoiler free.

BALLARD

Michael Connelly writes the Bosch books, which spawned a terrific, gritty, seven season streaming series. HIGHLY recommended watch. Bosch an LAPD homicide detective, underwent a career change, which is the subject of the succeeding series, Bosch: Legacy. That lasted three seasons. All of this stuff has been taken from the novels. In the final episode of Legacy, an LAPD detective named Renee Ballard (also from a Connelly book series) plays a central part. And that’s because she’s the star of her own new series on Prime.

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A (Qualified) Vindication of Lin Carter’s Fiction: Kesrick

A (Qualified) Vindication of Lin Carter’s Fiction: Kesrick

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Care to join me in a Pavlovian conditioned reflex experiment? Good. I’m going to ring a bell and we will observe your response. Ready?

Lin Carter. (That was the bell.)

Hmmm… exactly as I expected. At the mention of the name of the late fantasy editor, anthologist, and author, you immediately whispered, muttered, or shouted some variation of the formula, “His great knowledge and advocacy of classic fantasy, especially through his groundbreaking editorship of the Ballantine Adult Fantasy series from 1969-75, means that every lover of fantasy owes him an immense debt, but his own fiction, primarily pastiches of Robert E. Howard and (especially) Edgar Rice Burroughs, is plodding and rote and not worth reading.”

Good boy! A tasty dog treat for you!

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The Lure of the Basilisk – 80’s Fantasy with a Cool Cover

The Lure of the Basilisk – 80’s Fantasy with a Cool Cover

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Dus_BasiliskI was recently talking online about how in the eighties and nineties we bought fantasy books because we liked the cover. And the pic I included was The Lure of the Basilisk, which kicked off the adventures of Garth the Overman. It’s been ten years since I wrote about that, back in the days of The Public life of Sherlock Holmes. So here’s a revisit of to a pretty cool fantasy series that you should check out, if you never have. 

The eighties was full of epic fantasy series’ by the likes of David Eddings, Raymond Feist, Stephen R. Donaldson, Terry Brooks and Katherine Kurtz, to name a few. While many remain giants in the history of the genre, Lawrence Watt-Evans wrote a largely forgotten series: The Lords of Dus.

Watt-Evans has written quite a bit of fantasy, science fiction and horror and is probably best known for his Ethshar series. Ethshar was created as a role-playing game world and he ended up writing many novels and short stories using the setting. The Misenchanted Sword is my favorite Ethshar novel.

Watt-Evans had flunked out of Princeton’s architectural school and had to wait a year before he could re-apply. He had heard (the possibly apocryphal story) that Larry Niven started his career by deciding to write for one year and if he sold something, continue on: if he didn’t, he’d give it up. Watt-Evans decided to do the same and wrote a slew of short stories, selling one.

He did go back to school, but he wrote a novel (The Cyborg and the Sorcerer) on a summer break and after two years of college, gave it up to make a living with the typewriter (as a writer, not a typewriter salesman).

Influenced by Robert E. Howard, Michael Moorcock and Lin Carter’s anthologies (Flashing Swords, anyone?), he was ready to spin a fantasy saga featuring a non-human (but less effete than a Melnibonian) hero. Thus, the race of overmen.

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A (Black) Gat in the Hand: Western Noir: Anson Mount & Hell on Wheels

A (Black) Gat in the Hand: Western Noir: Anson Mount & Hell on Wheels

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.”

– Phillip Marlowe in Raymond Chandler’s The Big Sleep.

Hard to believe it’s been almost fifteen years since AMC debuted a gritty new western, Hell on Wheels. In November of 2011, Justified had completed two seasons, and suddenly I had two favorite shows. Back then television shows aired weekly, not in multiple episode ‘drops.’ and they weren’t available on-demand. You watched them when they aired or recorded them on your DVR. I would actually sit and watch both those shows every week, ‘live.’

MILD SPOILERS

I’m not gonna blatantly drop stuff, but don’t get mad if you can infer something from this post. The show’s been out there for fifteen years. Go watch it!

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A Blurb Reader’s Bill of Rights

A Blurb Reader’s Bill of Rights

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I don’t know anything about the amount or quality of your reading. You might read quickly or slowly. You might be a sprinter who favors short stories or a marathoner who fearlessly commits to one multivolume series after another. You might read one book at a time or you might be the kind of degenerate who always has half a dozen going. You might read six books a year or sixty.

Whatever the nature of your reading life, though, I’ll bet that over the course of that life, you’ve read enough blurbs to make a volume as hefty as War and Peace (my copy of which does not bear a blurb. What would it even be? “If you liked Norm MacDonald’s Moth Joke, you’ll love this!” — Conan O’Brien”? It would be interesting to figure out just how long an author has to be around before blurbs are no longer considered necessary, but that’s a conundrum for another day.)

For readers, blurbs are a fact of life. They can be helpful, like a considerate stranger who gives you directions in a strange city, and they can be annoying, like mosquitoes or those people who keep calling me, offering to buy my house, and I don’t want to sell my house!

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A (Black) Gat in the Hand: Hardboiled Gaming – L.A. Noire

A (Black) Gat in the Hand: Hardboiled Gaming – L.A. Noire

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.”

– Phillip Marlowe in Raymond Chandler’s The Big Sleep.

Grand Theft Auto has been a hugely successful video game franchise for almost thirty years. From Rockstar Games, I’ve never played it. They also make Red Dead Redemption, which I tinkered with a little. It’s pretty high quality and I’ll get to it some day. Among their other titles, the one I have jumped into is L.A. Noire.

Set in 1947, you are Cole Phelps, an LAPD uniformed patrolman, and a WW II Marine veteran. You are assigned cases, and you go to scenes, collect clues, and talk to people. The goal, of course, is to collect enough information to catch the culprit. It’s open-world, but the path to solving a case is rather straightforward. I’ve only failed once so far, and it was clearly trying to tell me what I was missing, but I couldn’t pick up on it. I’m currently assigned to the Traffic division, which is way more than going out for fender benders.

There are also regular side quests which come in as radio calls. You can take the call and go take care of it. This often involves chases and shootings.

I have killed quite a few folks so far. It is frowned upon if you shoot someone that didn’t need shooting. But I’ve been killed (you restart the mission), so it can get tough out there for your and your partner.

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The Last Legionnaire: Jim Shooter, September 27, 1951 — June 30, 2025

The Last Legionnaire: Jim Shooter, September 27, 1951 — June 30, 2025

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Jim Shooter, photo by Alan Light

Jim Shooter, a precocious kid from Pittsburgh who started writing comic book stories at thirteen and who then went on to have one of the most consequential careers in the history of mainstream comics as Marvel’s editor-in-chief, has died at the age of seventy-three.

Shooter was appointed to Marvel’s top editorial position in January, 1978, and during his controversial decade at Marvel’s helm (he was fired in April, 1987), he left an unmistakable imprint on the company and on the comic book industry as a whole.

Most comics historians and many of the artists and writers who worked under him agree that Shooter made many positive and badly needed changes early on (such as returning art to artists and giving artists and writers royalties in certain circumstances) but later became increasingly rigid and dictatorial, and people have already spent many years and will doubtless spend many more trying to reach a just assessment of the pros and cons of his tenure at Marvel. (You can find a detailed account of those years in Sean Howe’s excellent Marvel Comics: The Untold Story, though of course some people say the book is too hard on Shooter while others say that it isn’t hard enough.)

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A (Black) Gat in the Hand: More Weird Menace: Robert E. Howard’s Conrad and Kirowan

A (Black) Gat in the Hand: More Weird Menace: Robert E. Howard’s Conrad and Kirowan

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.”

– Phillip Marlowe in Raymond Chandler’s The Big Sleep

So basically, I don’t do horror. Robert E. Howard is my second-favorite writer in any genre (trailing only John D. MacDonald), and I’m not really even that into his horror stuff. “Pigeons from Hell” is considered one of his best stories, but I don’t really like it. Other than a few exceptions, like the terrific Robert R. McCammon, and F. Paul Wilson, horror doesn’t work for me (no, I don’t really care for Lovecraft, either, though I’m well-versed thanks to those old Del Rey paperbacks).

But I do like several stories which are in Del Rey’s The Horror Stories of Robert E. Howard, such as Solomon Kane’s “Rattle of Bones.” There’s an upcoming post on “Out of the Deep,” and we are about to talk about his Conrad and Kirowan tales, which are part of the Cthulhu Mythos.

SPOILER WARNING – Look…the story I’m about to discuss is eighty-one years old. And it’s readily available. If you read my stuff here, you know I try to minimize spoilers. But you’ve had a lot of opportunities to read Robert E Howard. You have been warned.

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Third Time’s the Charm: Avram Davidson’s The Enemy of My Enemy

Third Time’s the Charm: Avram Davidson’s The Enemy of My Enemy

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We all have our favorite obscure or neglected authors, writers we get touchy about and on whose behalf we’re instantly ready to jump on top of a table, ball up our fists and yell at the top of our voices, “HEY!! Don’t forget THIS GUY!!!”

For me, Avram Davidson is at the top of that list. I’ll knock over the Parcheesi board for him any day of the week.

As is often the case with such semi-forgotten writers, he wasn’t always obscure or neglected; though never a behemoth like Heinlein, Clarke, or Bradbury, during the 50’s, 60’s, and 70’s Davidson was quite well-known. He had three World Fantasy Awards to his credit, won a 1958 Hugo Award for his delightfully paranoid short story “Or All the Seas with Oysters” (read it and you’ll never turn your back on a closet full of coat hangers again) and was briefly the editor of The Magazine of Fantasy and Science Fiction. Few people in the genre were more well-respected or personally beloved.

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