Howard Andrew Jones, a Mentee’s Perspective

Howard Andrew Jones, a Mentee’s Perspective

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Howard Andrew Jones at GenCon, 2023

In 2019, I had an idea: a lot of my friends loved reading sword and sorcery fiction, but they didn’t write it. They would say, “One day.” Many of my undergraduates also expressed interest in writing fantasy, but they often felt discouraged by form rejection letters (genre magazine slush piles are epic). Having studied the history of genre fiction, I knew about the old tradition of “fanzines”— not-for-profit amateur publications that provided a low-stakes outlet for new writers. Just submitting work, collaborating with an editor, and seeing it in print can transform someone’s self-image from being just a reader to being a writer.

So, after some conversations with friends and a bit of encouragement, I started thinking seriously about launching my own zine.

As an academic, I’m deliberate by nature. I like to consult and take my time. Honestly, if I could have formed a committee for this, I probably would have. Instead, I decided to email someone: Howard Andrew Jones.

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Savage Sword of Conan is Back

Savage Sword of Conan is Back

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Savage Sword of Conan #1 (Titan Comics, February 2024). Cover art by Joe Jusko

Savage Sword of Conan, from Titan Comics, is the comic book that I have been waiting for. It is a thing of perfection: art, story, presentation, physical format – all unmatched.

The cover by Joe Jusko is brilliant, capturing some brutal imagery from the prose story within, penned by Jim Zub. I loved Joe’s work on the original SSoC run.

The introduction by Roy Thomas was a delight. Roy was the mastermind behind Conan the Barbarian and Savage Sword of Conan, but he’s also known for creating characters such as Wolverine, Vision, Werewolf by Night, Luke Cage, Iron Fist, Ultron, and scores more. Hearing that he had plans to contribute to this magazine filled me with joy.

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An Important Life – Howard Andrew Jones (1968 – 2025)

An Important Life – Howard Andrew Jones (1968 – 2025)

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A LIFE IS NOT IMPORTANT EXCEPT IN THE IMPACT IT HAS ON OTHER LIVES – Jackie Robinson’s epitaph

Mark Rigney, Howard Andrew Jones, Bob Byrne

I did an interview last week with Jason Waltz for his ’24 in 42′ podcast (Yeah, I know: You just can’t wait to hear that one…).

One of the questions was about my favorite quote/lyric/poem/motivational thought. Some of you who know me probably figure it’s a Bible verse. And there are a couple that are right up there.

But it’s the epitaph on Jackie Robinson’s gravestone, which leads off this post.

My buddy Howard Andrew Jones has passed away from brain cancer. You’re going to see a LOT of people singing his praises in the coming weeks. All of it deserved. If I can stop crying long enough, my Monday morning post will be on Howard.

But you’re gonna see a common thread in the talk about Howard. The impact he had on other people’s lives. Especially in encouraging and helping writers – mostly in the sword and sorcery field.

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In Dreams: David Lynch: 1946 — 2025

In Dreams: David Lynch: 1946 — 2025

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David Lynch is gone; he died Wednesday at the age of  seventy-eight, bringing one of the strangest careers in American film to an end and leaving the rest of us to try to reach a conclusion as to what it all meant.

He never made a western. He never made a romcom or a workplace comedy. He never made a “prestige” period picture. He never made a buddy movie or an action movie or a heist movie or a (straightforward) crime movie. Not for him was getting hold of a franchise and riding it until it died of thirst in the desert; he wasn’t interested in making Mission Impossible 6 and 7/8. The only things he made were David Lynch movies (as the producers of Dune found to their dismay), and those were about as far out of the mainstream of American cinematic entertainment as it is possible to get and still be permitted within the city limits of Hollywood.

I resist calling him an “experimental filmmaker” — though there is a grain of truth in the description (in the effect of his work more than in its intent) — because I don’t think he was experimenting at all; I think he had a cement-solid vision of what film was and what it could do, and he knew precisely what he was up to every single minute.

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Prehistrionics, Part III

Prehistrionics, Part III

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The Jurassic Dead (Wild Eye Releasing, 2017)

We’re off on another adventure filled to the brim with disappointment. 20 films I’ve never seen before, all free to stream, all dinosaur-based.

Oh God.

The Jurassic Dead (2017) Tubi

Just how bad is the CG? Rubbish.

Sexy scientist? Nope.

Mumbo jumbo? Reanimation, dinosaurs, zombies, asteroids.

Just in case you thought I might try to start the year on a high note, might I present this tripe. The premise is simple: a Herbert West type (complete with glowing green reanimating fluid and dead cat) loses his job and decides to destroy the world. Somehow he has a T-Rex, which he zombifies, and then he turns into Immortan Joe and sets off an EMP just as asteroids wipe out some cities. A crack, sorry crap, team of commandos based on 80s action figures must team up with a group of hugely unlikeable civilians to survive.

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Howard Andrew Jones, July 19, 1968 – January 16, 2025

Howard Andrew Jones, July 19, 1968 – January 16, 2025

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John O’Neill and Howard Andrew Jones at the World Science Fiction Convention, Washington DC, December 19, 2021

Howard Andrew Jones is dead.

It’s hard to write those words. Howard has been a huge part of my personal and professional life since 2002, when I opened a submission to Black Gate magazine and found a long, rambling, and extremely enthusiastic cover letter from him, expressing his delight at finding a quality magazine devoted to heroic fantasy. The letter ended with “I want in, bad,” and was attached to a terrific tale featuring two adventurers named Dabir and Asim.

We eventually published three Dabir and Asim tales in Black Gate, and within a few years Howard’s editorial contributions had become so essential to the magazine that we named him our first Managing Editor. He ran our non-fiction department, single-handedly recruiting and managing over a dozen contributors to fill some 80 pages every issue with thoughtful essays, book reviews, gaming coverage, and much more.

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Goth Chick News: Hitting the Show Circuit Hard in 2025

Goth Chick News: Hitting the Show Circuit Hard in 2025

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This is why BLACK GATE gives out press passes

And so this happened last week…

John O (the big cheese): People probably imagined you lot (Photog Chris Z and I presumably) are just hunkered down there in the subterranean offices of Black Gate sequestered with a blender, several bottles of adult beverages and the Roku horror channels.
Me: So…?
John O: So – that’s not the image we want to portray here at Black Gate.
Me: We have an image?
John O: OF COURSE WE HAVE AN IMAGE! Why can’t you be more like Bob Byrne?
Me: Bob? Oh… you mean Sherlock. Right. Wait, what was that first thing again?
John O: [insert unpublishable adult language] Would you please just go be visible somewhere? Be a reporter – get out in the field and report. That’s what Bob does. He reports… on detectives… for Black Gate.
Me: The ice machine is broken again.
John O: ARG! [insert more adult language and stomping up the stairs]

What John O doesn’t know but what — and I’m just guessing here — he wants to know, is the following.

About the time “the season” has officially concluded for Goth Chick News (and the season runs from March through November), we have a short holiday break before plunging headfirst into a new annual show circuit: hell bent on bringing you the warmest, moistest, gooiest news from the underside of pop culture.

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The Masters of Narrative Drive

The Masters of Narrative Drive

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The Outlaw of Torn and The Mad King by Edgar Rice Burroughs (Ace Books, January 1973 and February 1979). Covers by Frank Frazetta and Boris Vallejo

An author friend of 70+ books told me that a novel is just “one damned thing after another.” This is a layman’s way of saying that a book needs “narrative drive.” Narrative drive keeps readers turning the pages. It exerts a pull that drags the reader along. Edgar Rice Burroughs was the master of narrative drive. Things are happening on every page of his books that keep you wanting to know more.

There are two primary kinds of “wanting to know more.” One is, more information about the story’s plot. This is based on intellectual curiosity, and mystery stories illustrate this most clearly. Who committed the murder? Why? How? Etc. This is the primary type of drive that good nonfiction has.

The second kind of “wanting to know more” is based on emotion and character. What is going to happen to a particular character or characters the reader is attached to? The strongest narrative drive combines these.

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The Dreams in Gary’s Basement: Gary Gygax and the Creation of Dungeons & Dragons

The Dreams in Gary’s Basement: Gary Gygax and the Creation of Dungeons & Dragons

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The Dreams in Gary’s Basement, Blu Ray version (rpghistory.net, 2023)

On the eve of Gary’s Gygax’s birthday, July 26, 2019, I was in sunny California getting ready to be interviewed by the Dorks of Yore for their documentary, The Dreams in Gary’s Basement: Gary Gygax and the Creation of Dungeons & Dragons.

The interview touched on my experiences working with Gary from 2005–2008, a time that I will always cherish. Gary was so generous with me — a friend and a mentor who not only showed me the ropes, but also put trust in me. It was such an honor and a privilege to get to work with one of my childhood idols.

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A Locked Tomb Mystery in Space: Gideon the Ninth by Tamsyn Muir

A Locked Tomb Mystery in Space: Gideon the Ninth by Tamsyn Muir

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Gideon the Ninth (Tor Books, September 10, 2019). Cover by Tommy Arnold

The back cover of the hardcover edition of Gideon the Ninth features this assessment from writer Warren Ellis: “The author is clearly insane.”

Three things made me shunt Gideon the Ninth to the front of my TBR stack. First, both my older son and his girlfriend read it, and, once finished, they promptly named their cat Harrow after one of the two main characters. Second, the cover art jumped out like an All Hallows spotlight. Third, that Ellis quote grabbed me by the frontal lobes. A novel featuring skeletons and sword-wielding necromancers written by a writer five cans short of a six-pack? Sign me up, buttercup.

Finally, in the interests of truth-telling or perhaps over-sharing, I must add that a fourth element convinced me to delve into Gideon the Ninth, and that was when I spotted a copy on the shelves at Chaucer’s Books in California, and cracked the cover to explore the opening paragraph. It reads as follows:

In the myriadic year of our Lord –– the ten thousandth year of the King Undying, the kindly Prince of Death! –– Gideon Nav packed her sword, her shoes, and her dirty magazines, and she escaped from the House of the Ninth.

I was hooked. There’s nothing like a practical protagonist. Sword and shoes, check. Dirty magazines? Clearly a must. Next stop, adventure!

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